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Wentworth miller insights

Explore a captivating collection of Wentworth miller’s most profound quotes, reflecting his deep wisdom and unique perspective on life, science, and the universe. Each quote offers timeless inspiration and insight.

I spend my weekends sleeping and watching DVDs, and eating at restaurants within a 2-block radius of my apartment.

You develop a lot of scars, being interracial.

It's the way the business works, you're not just an actor, you're a diplomat and a publicist and a politician, and there are certain expectations.

I'm neither sexy nor a star.

I think that's the beauty of the current setup, is that Legends is meant to be a bit of a revolving door.

On Flash, I thought of myself as a spice character; come in, do a little dance, and I go.

I think what you learn, working on a film or TV set, is how to tune certain things out. You've got 60-100 people swirling around you, each of them with a very important job to do.

I had my one guest star on The Flash, and that became several guest stars, and then they mentioned this new show.

Prison Break is so far-fetched, I had to make viewers believe that Michael is capable of making the impossible possible.

I had a brief experience in the food industry. I was a bus boy in a Mexican restaurant in Arizona, scraping re-fried beans off people's plates. It teaches you a bit of humility and the importance of a good deodorant.

Entertainers are there to entertain. They aren't there to teach your children the lessons that you haven't bothered to teach them at home yourself.

You have to love what you do, and you have to need it like you need air. And there's nothing else that would give me the same degree of satisfaction as acting, which is why I can't walk away from it.

To be honest, I find going out pretty scary and intimidating. Got all those people checking you out, with only one purpose: hooking up. I'm quite the dork, I'd rather sit home and play Scrabble. But that doesn't get you a girl, does it?

The beautiful thing about having grown up in Brooklyn is, because of the rich cultural and racial diversity there, no one seemed to give too much thought to where I fit on the racial spectrum. But there were times when I would run up against someone who was interested in figuring out what race was. That would come as a surprise, and in some cases, like a slap in the face.

I'm hoping that what I am or what I'm not ethnically doesn't limit me in anyone else's eyes. I guarantee you it doesn't in mine.

I feel as though we're living in a time where there is very little distinction paid between the personal and the professional.

I'm pretty much a couch potato.

As someone who has enjoyed visiting Russia in the past and can also claim a degree of Russian ancestry, it would make me happy to say yes. However, as a gay man, I must decline.

There's so much we can't express in our day-to-day interaction with people because it's considered inappropriate. And acting is all about being inappropriate.

My rule is you want someone whos got both feet on the ground. An ideal girlfriend might be someone who works in the business and can understand what youre going through but is not an actor themselves - is willing to run lines with you but when you start acting crazy, they throw up their hands and take you for what you are and be accepting.

Four months of preparation and about 12 hours of shooting turned into about 30 seconds of screen time.

My definition of cool is finding your own definition of cool and not necessarily taking your lead from what other people tell you or from what you might read from magazines or see on TV.

Michael Scofield is someone everyone can relate to, but nobody would want to be in his shoes.

I'm very pleased with being a part of the Bean Pole family. It's a relationship that makes sense to me. I'm very pleased to have my name associated with Bean Pole Jeans.

This role is more visible, and I grew up without a lot of that sort of modeling so I'm relieved and proud to have done this film.

I have my own personal wish list.

A racial community provides not only a sense of identity, that luxury of looking into another's face and seeing yourself reflected back, but a sense of security and support.

It was just expected that I would go to college. Both my parents are teachers and they tolerated acting, but I was going to go to a school of quality or bust. Which made my downshifting back to acting afterward a little difficult.

My family put a lot of emphasis on homework, so there weren't too many comic books or video games for me, when I was growing up.

The backstory to anyone of mixed race is a lifetime spent being incorrectly perceived and choosing either to allow that misperception to continue or to correct it, so I am aware of identity and race as being much more fluid, I think, than someone who is "purely" one thing or the other. And acting does challenge me to address those particular issues.

I think it's necessary when you're dealing with a dark show that has explosion and violence to have defined moments of lightness and humor, even romance. It's important, and it deepens the character, of course.

When I got to college, acting suddenly seemed like a very risky proposition and all my friends were going to law school or med school or Wall Street.

Unfortunately, I'm allergic to all animals and even some people.

I have very high expectations of myself. I'm a very competitive person but competitive with myself. I want to be the best that I can be and if that means that I'm eventually better than everyone else then so be it.

I didn't come to Hollywood to get on magazine covers or start my Porsche collection or to enjoy that kind of lifestyle, to go to the right parties and meet the right people.

A ghostly side note Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.

If I were to wait only for roles that clarify my racial makeup, I'd be waiting for a very, very long time.

I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.

I cannot in good conscience participate in a celebratory occasion hosted by a country where people like myself are being systematically denied their basic right to live and love openly.

Confidence is at the root of so many attractive qualities - a sense of humor, a sense of style, a willingness to be who you are no matter what anyone else might think or say.

You only cry for help if you believe there is help to cry for.

I'd like to go back and revisit the Flash/Captain Cold relationship, because that to me has been the heart of it all along. My impression is that The Flash is a show about a boy's journey into manhood. For the Flash character, there is a variety of male models presented to him, and Captain Cold is one of them.

I'm kind of a dork. I don't have much game. I'm not particularly comfortable in bars or clubs. I much prefer being home playing Scrabble, having dinner with a couple friends, going to see a movie, or losing a whole weekend to Season 14 of Law and Order or The Simpsons.

You're confronted with the quandary: do I grind things to a halt? Ideally you would, but I have better things to do than educate people.

In my career as an actor, there is a catchphrase that Scofield always says often in regards to his brother, 'Have a little faith.' In my own career as an actor, there were times when I was the only one who believed in myself in the face of the odds.

I've never seen American Idol but I am grateful to them. That show is one of Fox's biggest moneymakers, and some of that money goes to pay for shows like Prison Break. Simon Cowell's been signing my paychecks and for that I say thanks.

My father is black and my mother is white. Therefore, I could answer to either, which kind of makes me a racial Lone Ranger, caught between two communities.

I want to aspire to something like what Denzel Washington does, which is try to find scripts written for white actors - or Jodie Foster, who reads scripts for male actors.

It's very much a back and forth conversation between the fans and the writers, between the writers and the powers that be. Their opinions, especially when expressed online or via correspondence, are important and are taken into consideration.

There'll be moments when I'm out in the prison yard, chatting with the cast and the crew, getting ready to shoot a scene. And then I'll remember if I were actually an inmate, I'd only be out there an hour. The other 23 hours of the day, I'd be in my cell. It's kind of a downer.

Everyone has their challenges.

My character in 'Prison Break' needs to be formidable. In reality, I'm not very tough at all.

My encounters with racism are sort of second-hand situations where I might be standing around with a group of white friends and someone makes a comment that they wouldn't make at my family reunion.

I think ultimately that's why the audience will tune in longterm, for the characters and the relationships.

I broke my nose in gym when a ball hit me. I took a girl to her debutante ball the next week wearing a tux and a big, honking bandage. Not the romantic night she had in mind.

Nobody's ever asked me to pay for a meal before I've eaten it, I've never been pulled over just because I was driving the wrong kind of car in the wrong kind of area at the wrong time of night.

You might look at my CV and see I've had 12 jobs, but I've been to over 450 auditions so I've heard 'no' a lot more than I've heard 'yes'. So if I go in looking only to meet my own standards, then that will make taking that rejection a little bit easier. And when I do get that job it will seem like icing on the cake.

I've been spared to a large extent the business end of the race stick.

I worked with the same trainer that worked with Denzel Washington in THe Hurricane. It was three months of training, five days a week, 4 to 5 hours a day. This was followed by a month of choreography.

An actor's job is to embrace emotions and situations that in real life we spend all of our time running away from.

My experience is that I find myself having to constantly define myself to others, day-in, day-out. The quote that's helped me the most through that is from Toni Morrison's "Beloved" where she says, "Definitions belong to the definers, not the defined" - so I find myself defining myself for other people lest I be defined by others and stuck into some box where I don't particularly belong.

One of the traps of auditioning is walking into that room feeling as though you're a guest in someone's house, and being really careful not to spill wine on the carpet. What you have to do is walk in there as though you're the host.

I don't think you need to watch Arrow and Flash to appreciate what it is Legends has to offer. The beauty of this show - and they do this on Flash, and they did this on Arrow - is that we do spend time on character. We do spend time on backstory. We do take a moment in between the sci-fi special effects to tell you who these people are, so that when something happens to them, you actually care.

I think this is what college is all about: self-examination and dealing with those questions of "Who am I?"

A great book provides escapism for me. The artistry and the creativity in a story are better than any drugs.

I have to laugh internally when I'm asked in interviews what nightspots I like to hit. I just don't have answers... so sometimes I make them up.

I feel extremely lucky, extremely grateful, and a little bittersweet, too.

There was no script, but I said, 'I'm in, regardless' and was committed to Legends before I saw a single page.It was a lovely surprise to find so much meat on the bone.