Patrick stewart quotes

An obsession might be a little strong a term, but it has now become one of the most significant aspects of my life, but most importantly of my career, because it has changed the public's perception of who Patrick Stewart is.

I've often reflected on this in the past weeks as I've been following the presidential campaign: Very often, I thought it would have been great for both of these guys to sit down and be force-fed a couple of dozen episodes of Star Trek.

Roddenberry had created quite a complex and at times mysterious character. Guarded, cautious, careful in showing his feelings in expressing his ideas about many things - I found that very interesting.

Whenever the lion fish in the fish tank in the captain's ready room died it was always a sad moment.

You get all of your neuroses worked out on stage. I haven't actually played very many nice characters, certainly not on stage. It's not a quality that attracts me.

As a child, I heard in my home doctors and ambulance men say, 'Mrs. Stewart, you must've done something to provoke him.' 'Mrs. Stewart, it takes two to make an argument.' Wrong. Wrong! My mother did nothing to provoke that - and even if she had, violence is never ever a choice that a man should make. Ever.

Having played many roles of scientific intellect I do have an empathy for that world. It's been hard on me because flying the Enterprise for seven years in Star Trek and sitting in Cerebro in X-men has led people to believe that I know what I'm talking about. But I'm still trying to work out how to operate the air conditioning unit on my car.

I am not the archetypal leading man. This is mainly for one reason: as you may have noticed, I have no hair.

But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.

We've made too many compromises already; too many retreats. They invade our space and we fall back. They assimilate entire worlds and we fall back. Not again! The line must be drawn here! This far, no further! And I will make them pay for what they've done!

All I ever wanted to do was be on stage, if possible acting in Shakespeare. And to be as good as I could be.

If someone says 'Give me one word of advice,' I say 'be fearless.' And knowing without any shadow of a doubt that what they have to give - who they are - is totally unique and not shared by anybody else. And to believe in that uniqueness. It took me decades before I developed courage as an actor.

As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around.

One day, out of irritation, I said, you know all of those years with the Royal Shakespeare Company, all those years of playing kings and princes and speaking black verse, and bestriding the landscape of England was nothing but a preparation for sitting in the captain's chair of the Enterprise.

It still frightens me a little bit to think that so much of my life was totally devoted to Star Trek and almost nothing else.

Having spent so much of my life with Shakespeare’s world, passions and ideas in my head and in my mouth, he feels like a friend—someone who just went out of the room to get another bottle of wine.

I am told that there have been over the years a number of experiments taking place in places like Massachusetts Institute of Technology that have been entirely based on concepts raised by Star Trek.

It's not just an exclamation, but it's a rejection of everything to do with Christmas, with the spirit of Christmas, with gift-giving, with generosity.

During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job.

Violence is a choice a man makes and he alone is responsible for it.

I don't do impersonations. I can do a wounded elephant! I can do a really good cow! And because of the amount of time I spent in North Yorkshire, I do a variety of sheep. All of which I will be happy to roll out for you!

I've been in politics all my life. In 1945, I committed my first act of civil disobedience during the election campaign for the first post-World War II general election, when the Labour Party, to everyone's amazement, ousted the Conservatives. I refused to obey the instructions of a policeman, and as a result, almost got a belt around the ear, because those were the days when policemen could hit children and nobody cared, they thought it was probably good for them.

I saw Waiting for Godot when I was 17 in rep with a then unknown actor called Peter O'Toole playing Vladimir. I remember leaving the theatre promising myself that one day I would have a go at this play and then pretty much forgot it for 50 years.

During my time we had two chairman of the joint chiefs of staff, at different times of course, on the bridge, both of whom asked my permission to sit on the captain's chair.

I would like to see us get this place right first before we have the arrogance to put significantly flawed civilizations out onto other planets, even though they may be utterly uninhabited.

I've been a witness to unfairness in society all my life. To the conditions under which my mother worked all her life, working in an industrial weaving shed in the north of England. And it has been this feature of unfairness that has motivated me in all of my political thinking.

Comedy today is not what it was years ago. It's always changing, in particular to female comics. No longer are certain subjects considered to be a male preserve. Women can talk about sexuality and their bodily functions and it can be very, very entertaining. It's changed the impact of comedy acting.

As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering.

I do what I do in my mother's name because I couldn't help her then. Now I can.

I wouldn't know a space-time continuum or warp core breach if they got into bed with me.

I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.

I know it feels like two steps forward and one step back, but we are making progress. In my lifetime, I have lived through one World War, I have lived through the end of Apartheid in South Africa, the pulling down of the Berlin Wall. I have experienced what I never thought I would have experienced, which is a pretty workable peace in Northern Ireland, and I experienced a unified Europe - until the Conservative government got its hands on the idea that in order to appease a few back-benchers they would hold a referendum, what a disastrous idea.

I made a promise to myself that I would try to introduce something unexpected in every single episode of the series. It was largely to amuse myself as much as anything. I didn't ever want the audience to feel that they knew everything.

Laurence Olivier said if you have ambition to be a serious classical actor, you must be as fit as an athlete. For me, the breakthrough was going to live in California. I exercised. I drank less. It was one of the things about California that had a positive impact on me.

The only still center of my life is Macbeth. To go back to doing this bloody, crazed, insane mass-murderer is a huge relief after trying to get my cell phone replaced.

Where can I go that would give me the same level of satisfaction as an actor?

We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students.

I came to feel very, very sentimental about those sets, which is ludicrous, because they represent everything which is transitory and insubstantial. It's absurd that one should feel sentimental about timber and canvas.

I think I came back from America a funnier and nicer person than I went.

Creating a believable world on the ship was very important, and technically they got better and better and better at showing the ship too.

The people who could do most to improve the situation of so many women and children are in fact, men.

Violence against women is the single greatest human rights violation of our generation.

The knights of the theater represented to me not only the pinnacle of the profession but the esteem in which the profession was held. To find myself, to my astonishment, in that company is the grandest thing that has professionally happened to me.

I heard police or ambulancemen, standing in our house, say, 'She must have provoked him,' or, 'Mrs Stewart, it takes two to make a fight.' They had no idea. The truth is my mother did nothing to deserve the violence she endured. She did not provoke my father, and even if she had, violence is an unacceptable way of dealing with conflict. Violence is a choice a man makes and he alone is responsible for it.

I've met actors where you think, if only you could just clean up your act and get it together, people would want to work with you. Some people are so difficult, it's just not worth working with them.

Violence against women is learned. Each of us must examine - and change - the way in which our own behavior might contribute to, enable, ignore or excuse all such forms of violence. I promise to do so, and to invite other me and allies to do the same.

I was just excited by the whole prospect of working in a television series in Hollywood. I had never anticipated that as an actor I would ever end up here. It may be some sort of fantasy I'd thought about from time to time, but it was completely unrealistic.

For seven years I did very little theatre, and I have to make up some time.

This is a call to action—not an action that will make things better in six months’ time or a year’s time, but action that might save someone’s life and someone’s future this afternoon, tonight, tomorrow morning.

At 12 years old in the dangerous world that I was in, with a very difficult home life, I found the stage was the safest place to be. It was predetermined and predictable - and furthermore you got to be someone else. All the problems only began when you left the building.

When I'm meant to be standing in the wings, the only way to go is the ladies' toilets. It's the only time I've ever acted in the toilets.

What identifies an individual as a king is how other people behave towards him. All authority is assumed, and if other people don't accept your authority then you don't have it. Perhaps the critical thing to being a convincing figure of authority is actually not to try too hard.

I wasn't campaigning for a role in a Hollywood television series, it was a fluke. So you've got to have a measure of good luck, you really have, being in the right place at the right time.

So far as education is concerned, it has had a significant impact on a lot of young people who turn to science as a much more exciting and interesting study than they otherwise might have found, entirely as a result of becoming involved with Star Trek.

And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.

William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.

I've been an activist all my life. And always a liberal activist, for the simple reason that it is on the liberal left that you find the true recognition for the need for fairness in society. I'm not saying equality, because that you can never achieve, because equality is based on such complex criteria. But fairness is another issue.

The studio have always claimed that the ship is the star of the show, especially when they're renegotiating contracts.

There's no such thing as "just a domestic".

Encouraging people to believe in it was the most important thing of all. It's one of the reasons I was always uncomfortable whenever film crews came on the set to shoot things. I didn't want our make-believe to be exposed.

I like things that are funny - in everyday conversation, in incidents that you see, in watching TV or watching film. Comedy has always had an impact on my life.

I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.

It is what you do from now on that will either move our civilization forward a few tiny steps, or else... begin to march us steadily backward.

Violence is never ever a choice that a man should make.

I always have been optimistic about humanity's future. Always. Even at the most dismaying of times.

One of the things that I've come to understand is that as I talk a lot about Picard, what I find is that I'm talking about myself.

Tom Hanks knows the name of all the episodes.

I certainly wanted to maintain some sense of mystery about Picard and that's why we never allowed certain situations to fully evolve, like the relationship between Picard and Beverly Crusher.