Norman lear quotes
Explore a curated collection of Norman lear's most famous quotes. Dive into timeless reflections that offer deep insights into life, love, and the human experience through his profound words.
I wanted to work with Bert Lahr [the 'Cowardly Lion' in 'The Wizard of Oz'], and I did.
You're in the business - when you're a writer, producer, director - to get ratings.
There was no real controversy with All In The Family. That came from the people on the business end.
But you know, my dad called me the laziest white kid he ever met. When I screamed back at him that he was putting down a race of people to call me lazy, his answer was that's not what he was doing, and that I was also the dumbest white kid he ever met.
America is a country of excess.
In this nation, leadership is dollars.
We had two African American writers [Eric Monte and Michael Evans] on the show ['Good Times'] that knew Cabrini Green inside and out, and that's why we set it there.
Success is how you collect your minutes.
In my 90-plus years, I have lived a multitude of lives.
Power is the goal of religion in general.
Bud [Yorkin] broke out big when he did 'The Fred Astaire Show' and won four Emmys. His wife at the time suggested that we team up. We got a lot of press in show business papers, and a number of offers...we eventually signed with Paramount Pictures. But I always like to say, his was the horse that we rode in on. That is my favorite recollection.
The establishment uses that rationale all the time, and that's why we do what we do. But leadership requires some understanding that you can say no. People have base instincts, but the transcendent also appeal to them.
I looked at enough of American Idol in the first weeks, and they're all about humiliation. I listen to Rush Limbaugh because I find it so repulsive. There are people with a little less sophistication who watch a lot of it, because we allow things to appeal to our baser instincts. But at the same moment, give me a little choice, and I'll make a better decision, because I have that ability too. And so does everybody else.
I think that of most leaders in religion as power brokers. They give orders, in a sense, to an audience every week, and that's where the definition of God starts.
My dad called me meat head dead from the neck up.
Originally, with all the shows, we went looking for belly laughs.
Life is about having a good time, and it was a good time. We did some things well and some things poorly, but that was always the case.
Granted, the writers, directors, producers, and that community make a great deal of money. But they might be choosing to do a whole lot of other things for the living they make.
The complete control of one party over everything - I would, I think, feel the same way if it were [the Democrats in charge]. It's not the American way.
I wish I knew how we achieve the goal of world peace. My bumper sticker reads 'Just Another Version of You.' The sooner we agree that we're just other versions of each other - we human beings - the sooner we will find some sense of world peace.
We are a country of excess. So it's not the violence, per se, but the exacerbation and constant repetition.
I think Americans have become a - much more a nation of consumers than citizens.
We did an episode on Good Times which came out of a newspaper article about the incidence of hypertension in black males being higher than whites, and increasing. So we did a show in which James, the father on Good Times, had hypertension.
I was the laziest white kid my dad ever met.
I was writing for live television. And I said to myself, someday, soon as I can, I have got to do a situation comedy.
If there was a sense of - a bigger sense of responsibility in the various leadership positions in America, things would be not as grotesquely overly done as they are now.
So we gravitated to shows and issues and causes that made people care.
We mocked that concept ['movies are better than ever'] by doing a sketch that was about a theater trying to get one customer to come in...and that customer was Jerry Lewis. It generated so much controversy that Dean [Martin] and Jerry [Lewis] had to apologize in a full page ad in Variety.
Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.
As H.L. Mencken once said, 'nobody ever when broke underestimating the intelligence of the American people.' Our show [All in the Family] countered that witticism. I think he was wrong.
Next up [new TV stars] was [Dean] Martin and [Jerry] Lewis on 'The Colgate Comedy Hour.'
It crossed our minds early on that the more an audience cared - we were working before, on average, 240, live people. If you could get them caring - the more they cared, the harder they laughed.
I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.
But it also became the experience, or was the experience, of the writers who were attracted to this kind of humor. They're all men or women who come from the same kind of experience in their own lives.
When I got married for the third time, and I had children from my other marriage there, that's what I said when it came time in the ceremony for me to say something. I said, "I'm grateful to everybody that participated, everybody that participated in my life that got me to this moment. And everything was dead-right because everything is right now."
As a matter of fact, when people ask where my 'point of view' comes from, it was there in one of the first sketches we wrote for [Dean] Martin and [Jerry] Lewis.
We got ratings. It isn't that they won't quarrel with you, or say you're always right. But as long as you stay strong and the ratings are good and you're reasonable - I don't think we fought unreasonably. We basically won that right.
Life is about having a good time.
When something is over, it is over.
I wanted to meet Bob Hope, and I got to know him pretty well.
I like getting up in the morning, and I like better having something to do when I get up in the morning.
The trafficking of sex and violence is comes after the demand for ratings.
Ratings translate into corporations, corporations that need a profit statement this quarter that's larger than the last.
TV that people will never see, that giant international corporations will never touch, will never pay your salary.
I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.
In the area we're discussing, leadership begins on Madison Avenue, on the desks and in the offices of people who spend hundreds of millions of dollars buying what will get them ratings.
It seems to me that any full grown, mature adult would have a desire to be responsible, to help where he can in a world that needs so very much, that threatens us so very much.
I think somehow I got a sense of the foolishness of the human - my favorite phrase, the foolishness of the human condition.
I don't know how you can look back with regret if you're at a moment when everything seems fine.
I think if you're feeling great about where you are, everything that led up to it had to be terrific.
The evidence seems clear that those business which actively serve their many constitutencies in creative, morally thoughtful ways also, over the long run, serve their shareholders best. Companies do, infact, do well by doing good.
If there is a reason to believe in God, it would be the Havana Leaf.
I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.
We just may be the most well-informed, yet least self-aware, people in history.
In one question you are expressing a world of opinion. Because it is you who thinks that America has been mistakenly starting these conflicts. I happen to agree with you, and I will repeat what your question suggested...we have mistakenly gotten into one fracas after another. Why we do that [United States has insisted on keeping up a string of enemies, and the wars associated with creating those enemies], I think it's because we're afraid to look in the mirror and understand who we are.
I guess because the shows were activist in their own way - the marriage of my public activism and my career activism, you know - people understand me very well. They also understand there's a very strong bipartisan part in all of this.
Life goes on pretty much the same way. I've been working on a couple of films on the side. You may see some more. You may even see another television show.
Maybe they continued to agree with Archie Bunker - as I said earlier, you can't change people's minds, but you can get them to think.
'All in the Family' took ten weeks to take off in 1971, and we were lucky to start in January, because if it had started in the regular fall season of 1970, I don't know if we would have lasted. The ratings didn't take off until the end of that fall season, when the other two networks ran out of fresh shows.
The American people may not be the best-educated, but they're very wise at heart.
Success is how you collect your minutes. You spend millions of minutes to reach one triumph, one moment, then you spend maybe a thousand minutes enjoying it. If you were unhappy through those millions of minutes, what good is the thousand minutes of triumph? It doesn't equate... Life is made of small pleasures. Good eye contact over the breakfast table with your wife. A moment of touching a friend. Happiness is made of those tiny successes. The big ones come too infrequently. If you don't have all those zillions of tiny successes, the big ones don't mean anything.
You know, you throw rocks in the lake and scientists will tell you you're raising the level of the lake, but all you get to see is the ripple.
I think the greater responsibility, in terms of morality, is where leadership begins.
When we went on the air, I didn't want to be interrupted for an act-one curtain.
Archie Bunker used to call me 'the laziest white kid he'd ever met.'
We had a Judeo-Christian ethic hanging around a couple thousand years that didn't help erase racism at all. So the notion of the little half-hour comedy changing things is something I think is silly.
Nobody doubts my partisanship, but a lot of the activity is nonpartisan.
When I countered that Archie Bunker didn't have to put down a race of people to say that, he replied, 'and you're the dumbest white kid I've ever met.'
I never met who I really wanted to meet, and that was Charlie Chaplin.
I think what's dangerous is 24 hours a day, 335 channels, or whatever the hell there is. Too much is too much.
Bud [Yorkin] was the kindest and dearest man, and one of the most talented directors there was.
We all [Ed Simmons,Dean Martin and Jerry Lewis] started together, so there were no rules - anything we wrote became television.
I stop and look at traffic accidents. I won't hang around, but when I hear something is terrible, as bad as it is, I've gotta look at it.
Life is made up of small pleasures. Happiness is made up of those tiny successes. The big ones come too infrequently. And if you don't collect all these tiny successes, the big ones don't really mean anything.
That's the heart of it: My shows were not that controversial with the American people. They were controversial with the people who think for the American people.
... For all our alarm, it is clear that the religious right is responding to a real hunger in our society... a deep-seated yearning for stable values... When conservative Christian groups talk of failures in our educational system, the erosion of our moral standards, and the waste of young lives, they are addressing real and legitimate concerns... Among secularists, the aversion toward discussion of moral values, let alone religion, can reach absurd extremes.
I get a kick out of the fact that people will pick on the writers in California for being responsible for the content. The people seriously responsible for the content are the people who buy it.
Culturally, I think 'All in the Family' was universal enough to have good timing at any time.
That's a very hard thing to help the establishment know. We're still an establishment that thinks the average mentality is something like 13 years of age, that never forgot H.L. Mencken's notion that nobody lost money underestimating the intelligence of the American people. That's the horseshit the establishment has always lived with.
The people responsible for the dollars that will buy the sex and violence so many deplore, don't even know what's going - well, of course they know. But they're comfortably ensconced in their country clubs and churches, and very far removed from the decisions that are made on their behalf.
The movies had a slogan at the time, to distinguish themselves from TV, that said 'movies are better than ever.'
I think America, unfortunately, collectively thinks of itself as the 'chosen people.' To my knowledge, there are no chosen people, we are all human beings.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
I think for television generally, the question that often arises is, "Does television lead, or does it follow?" You know, does it lead the conversation, or culture, or does it follow what's going on? And I think it does both.