Nadine gordimer quotes

I don't think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.

Writers themselves don't analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope.

In a democracy - even if it is a so-called democracy like our white-?litist one - the greatest veneration one can show the rule of law is to keep a watch on it, and to reserve the right to judge unjust laws and the subversion of the function of the law by the power of the state. That vigilance is the most important proof of respect for the law.

There's no tiling moral about beauty.

You can't be afraid to do good in case evil results.

Responsibility is what awaits outside the Eden of Creativity.

Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.

It was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.

In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.

A truly living human being cannot remain neutral.

Nothing fades so quickly as what is unchanged.

Perhaps the best definition of progress would be the continuing efforts of men and women to narrow the gap between the convenience of the powers that be and the unwritten charter.

Books dont need batteries

A desert is a place without expectation.

Writing is making sense of life. You work your whole life and perhaps you've made sense of one small area.

Learning to write sent me falling, falling through the surface of the South African way of life.

I have learned since that sometimes the things we want most are impossible for us. You may long to come home, yet wander forever.

Rebirth. I mean by this simply what happens when the child begins to realise the fact that the black does not enter through the white’s front door is not in the same category as the fact that the dead will never come back.

My answer is: Recognize yourself in others

A child understands fear, and the hurt and hate it brings.

I never talk about what I'm writing about currently, never. It's private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.

In a certain sense a writer is 'selected' by his subject - his subject being the consciousness of his own era.

One can't measure how a mood of confidence comes about.

I have failed at many things, but I have never been afraid.

I shall never write an autobiography, I'm much too jealous of my privacy for that.

Censorship may have to do with literature; but literature has nothing whatever to do with censorship.

Time is change; we measure its passage by how much things alter.

Sincerity is never having an idea of oneself.

I'm forty-nine but I could be twenty-five except for my face and my legs.

In a country like South Africa, writers have nuisance value, because those of us who have become known overseas have certainly helped to inform people about what life is like there.

Music has no limits of a life-span.

The tension between standing apart, and being fully involved; that is what makes a writer.

Peace. The upland serenity of high altitude, the openness of grassland without indigenous bush or trees; the greening, yellowing or silver-browning that prevailed, according to season.

Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.

Everyone ends up moving alone towards the self

You can't change a regime on the basis of compassion. There's got to be something harder.

Mostly I'm interviewed by white people, and identified with white society.

Communists are the last optimists.

If one will always have to feel white first, and African second, it would be better not to stay on in Africa

The solitude of writing is also quite frightening. It's quite close to madness, one just disappears for a day and loses touch.

The function of a writer is to make sense of life. It is such a mystery, it changes all the time, like the light.

Keenness of hearing revives when one is alone.

When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us. If something happens where I live, you see it tomorrow or perhaps even at the same time it is happening there. It's not "one world" in the sense that conflicts are resolved in the world. But we are more one world in that we know what is going on and are psychologically influenced by what goes on around us.

Success sometimes may be defined as a disaster put on hold. Qualified. Has to be.

As writers, we are exploring the mystery, the mystery of existence.

Newspapers are horror happening to other people.

I'm a candle flame that sways in currents of air you can't see. You need to be the one who steadies me to burn.

And this indifference is still very much present in modern South Africa. Just listen to Nobel Prize winner Nadine Gordimer - a representative of the British elite in this country: Afrikaner women are lower than rats, closer related to plants, just fit enough to be raped in an act of genus preservation.

in writing, sex doesn't matter; it's the writing that matters.

The process of writing fiction is totally unconscious. It comes from what you are learning, as you live, from within. For me, all writing is a process of discovery. We are looking for the meaning of life. No matter where you are, there are conflicts and dramas everywhere. It is the process of what it means to be a human being; how you react and are reacted upon, these inward and outer pressures. If you are writing with a direct cause in mind, you are writing propaganda. It's fatal for a fiction writer.

If you live in Europe . . . things change . . . but continuity never seems to break. You don't have to throw the past away.

what a writer does is to try to make sense of life. I think that's what writing is, I think that's what painting is. It's seeking that thread of order and logic in the disorder, and the incredible waste and marvelous profligate character of life. What all artists are trying to do is to make sense of life.

Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more - absolutely not. France used to, at least, have writers as diplomats, but not any more.

Humans, the only self-regarding animals, blessed or cursed with this torturing higher faculty, have always wanted to know why.

The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can't believe that the Russian people themselves have rejected it.

Perhaps there is no other way of reaching some understanding of being than through art? Writers themselves don't analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope. To say this is not to mystify the process of writing but to make an image out of the intense inner concentration the writer must have to cross the chasms of the aleatory and make them the word's own, as an explorer plants a flag.

Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship.

Art defies defeat by its very existence, representing the celebration of life, in spite of all attempts to degrade and destroy it.

Once you have some sort of reputation in the outside world, they will try to woo you. They will say, "Won't you come and be on a talk program about books? That's not political." Then they can say to the outside world, "See how free it is, she appears on television. See how free it is." So I refused to have anything of mine read or dramatized on South African television.

Writing is making sense of life.

From Ernest Hemingway's stories I learned to listen within my stories for what went unsaid by my characters.

September 2001. A sunny day in New York. Many of us who are writers were at work on the transformation of life into a poem, story, a chapter of a novel, when terror pounced from the sky, and the world made witness to it.

The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.

The primacy of the word, basis of the human psyche, that has in our age been used for mind-bending persuasion and brain-washing pulp, disgraced by Gobbles and debased by advertising copy, remains a force for freedom that flies out between all bars.

it's impossible to conquer all fear and loss by preparation. There are always sources of desolation that aren't taken into account because no one knows what they will be.

I cannot live with someone who can't live without me.

Certainly the people who are close to me are happier. They feel freer.

It's easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.

Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.

Sentiment is for those who don't know what to do next.

The creative act is not pure. History evidences it. Ideology demands it. Society exacts it.

Nothing factual that I write or say will be as truthful as my fiction.

Mumbling obeisance to abhorrence of apartheid is like those lapsed believers who cross themselves when entering a church.

If I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.

Disaster is private, in its way, as love is.

when it comes to their essential faculty as writers, all writers are androgynous beings.

I decided that I wanted nothing to do with South African government television while any of my fellow writers were banned and couldn't speak publicly.

About the joys and the courage, I really don't know what other people think. I just know that I've never left Africa. I've lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.

What is the purpose of writing? For me personally, it is really to explain the mystery of life, and the mystery of life includes, of course, the personal, the political, the forces that make us what we are while there's another force from inside battling to make us something else.

When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us.

I believe - I know (there are not many things I should care to dogmatize about, on the subject of writing) that writers need solitude, and seek alienation of a kind every day of their working lives. (And remember, they are not even aware when and when not they are working.) ... The tension between standing apart and being fully involved; that is what makes a writer.

The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.

The truth isn't always beauty, but the hunger for it is.

People give one another things that can't be gift wrapped.

Written words still have the amazing power to bring out the best and worst of human nature

Perhaps the best way to write is to do so as if one were already dead, afraid of no one's reactions, answerable to no one's views.

It's absolutely fatal to your writing to think about how your work will be received. It's a betrayal of whatever talent you have.

Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.

I couldn't be sufficiently interested in human beings to be a writer if I had contempt for human beings.

If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there'd be no end to what people would be made to suffer for it.

Power is something of which I am convinced there is no innocence this side of the womb.

All worthwhile writing... comes from an individual vision, privately pursued.

I don't understand writers who feel they shouldn't have to do any of the ordinary things of life, because I think that this is necessary: one has to keep in touch with that... The ordinary action of taking a dress down to the dry cleaner's or spraying some plants infected with greenfly is a very sane and good thing to do. It brings one back, so to speak. It also brings the world back.

There is no moral authority like that of sacrifice.

The caged eagle become a metaphor for all forms of isolation, the ultimate in imprisonment. A zoo is prison.

The facts are always less than what really happened.

Very often we support change, and then are swept away by the change. I think that...you just make your own response to your own generation. A response adequate to your time.

Fiction is a way of exploring possibilities present but undreamt of in the living of a single life.

a writer doesn't only need the time when he's actually writing - he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.

The gap between the committed and the indifferent is a Sahara whose faint trails, followed by the mind's eye only, fade out in sand.

Where do whites fit in the New Africa? Nowhere, I'm inclined to sayand I do believe that it is true that even the gentlest and most westernised Africans would like the emotional idea of the continent entirely without the complication of the presence of the white man for a generation or two. But nowhere, as an answer for us whites, is in the same category as remarks like What's the use of living? in the face of the threat of atomic radiation. We are living; we are in Africa.

If you look at the recent Nobel Prize winners, one couldn't say that the work didn't matter and the political commitment did. Who had ever heard of the Egyptian writer Naguib Mahfouz? He is not politically involved. Octavio Paz is a great poet, also not politically involved. The Nobel Prize is for literature, for the quality of work over the years.

Writing is always a voyage of discovery.

Any writer of any worth at all hopes to play only a pocket-torch of light - and rarely, through genius, a sudden flambeau - into the bloody yet beautiful labyrinth of human experience, of being.