Michael shannon quotes

There are certain ways of being that people don't find acceptable or very pleasant in regular life, but you go out on stage and do pretty much the same thing and they find it spellbinding.

I've always been happy just to be working. It doesn't really matter for me how many people are familiar with my name or my picture, or whatever.

I think improv training really orients you to character development, more than taking a Strasberg class or Meisner class. Not only is it about developing character really quickly, but it's also about being a good partner in the scene.

I'll tell you what's funny about it [NSA wiretapping]: They tell us we got to cut the budget; we have to have budget rollback. We're going to cut the budget on air traffic control, and every once in a while your plane is going to be delayed for three hours. But we do have the money laying around to hire people to read your emails and listen to your phone conversations. That just doesn't make any friggin' sense at all.

I certainly don't want to have too many pre-conceived notions before I show up because then you might be cutting yourself off from the real lessons of what is going on.

Design is the fundamental creative activity with which we direct our lives, and collectively, the earth's transformation from its original, natural state into our human-made world.

Everybodys constantly being destroyed and rebuilding themselves, some more drastically than others.

I started acting because I was miserable and crazy and wanted to be someone else, to run around and scream in front of people without getting in trouble.

That could sound arrogant, I guess, but sometimes I feel like I have a bit of a Zelig thing. I'll blend in wherever. I'm from the South, so I'll have a Southern accent when I'm home. But if I'm up here in New York, I have a British accent.

If I were God, I would just be up there scratching my head, thinking, 'What the hell am I supposed to do with this?' For everyone helping an old lady across the street, there's someone else bludgeoning a person to death. And sometimes they're the same. How can He separate us all out?

Honestly, as hard a profession as acting is, I think music is even harder. Acting, you're like a leech, because someone else does the hard part for you. They write it for you, then the director tells you what to do. You really just need to know how to pay attention, follow instructions.

I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.

A lot of times the characters I play tend to be kind of loners or they don't have best friends or best buddies.

This whole notion of the acting career as a monopoly where you rise to power... it doesn't really work that way. I don't ever really feel powerful in any way. It's kind of the same thing it's always been: You just figure out what you want to do and you do it.

I get pretty attached to the majority of the characters I play. I can't help myself.

What should really be happening is a revolution. The system should be torn apart by the people and banks shouldn't be allowed to do what they do, and giant corporations shouldn't be allowed to run the world to the ground the way they're doing. But that's not happening for whatever reason.

I've known a lot of very religious people. My mother is very religious, but she was also very - is very private about it. She - when I was growing up, she never went to church. She just prayed and read her Bible and kept it to herself. So I'm not from a background of flamboyant believers. It's much more a personal issue.

The thing that is always important to me is the relationships. I feel like until I get around with the actual people that I am going to be working with there is only so much that I can do.

I enjoyed living in Chicago and doing plays for little or no money. I never actually thought that I would leave Chicago, originally. I wasn't one of those people that had a plan to pack up the van and drive out to Hollywood. I didn't want to.

I never went into acting to be able to scare everybody. If I'd wanted to frighten people, I could have joined the C.I.A.

It's always very daunting to play someone who actually existed. You have to honor that, and be specific and accurate and try to make people believe that you're that guy, which is really hard.

Humility in this business [acting] isn't just a matter of being polite, it's kind of a matter of survival. You can't ever afford to think that you're the bee's knees, because you could always afford to be better. You have to always be searching for something better.

The magic word for me is pumpernickel. I love pumpernickel. I must have some Russian blood in me because I could just eat pumpernickel and raw onions.

It's obviously a lot harder to try and be a good guy than it is to be a bad guy. The world is a fundamentally evil place, it seems like. So in order to be a good person, you have to fight temptation and vice.

One of the reasons I'm an actor is because I was no physical specimen as a child. I wasn't athletic and didn't have any prowess in that regard. Growing up in Kentucky, most little boys were trying to get into sports, and it was very competitive, so that was not to be. But I did want to do something.

What I'm angry about, and I've gone on record saying this, is I think that financiers get away with murder. They realize they can get something for nothing and they won't settle for anything else. There's something called a Schedule F. If I work for a Schedule F contract that basically means I'm doing the movie for free because by the time I pay all my commissions and taxes there's barely anything left for me to live on. This whole notion that you do work that you love for very little money and then you go out and do something you hate to make money.

It's a little bit odd. The first time you do the play, you kind of throw yourself into it, trying to get the most out of all the individual moments. Then, a few hours later, you're still there, wondering what you could possibly do differently than what you just did a couple hours ago.

That's the great secret of humans: we're all the same person. The best thing to do is just go for the hug.

That's one of the great things about acting - you get to pretend you're somebody else, which is great if you get bored with yourself.

I like to play characters that get to do it all - to have a bit of comedy here and a bit of pathos here and a bit of suspense here, that's what's fun.

There's nothing routine about 'Boardwalk Empire.' It's like being in some secret society where they call you up and tell you where to go: 'Meet us at the corner of such and so.'

As an actor, I don't know what I'm doing. I've never known what I was doing. I show up the first day, I'm scared, and I just hang out. It's like being in detention - you just wait for it to be over. Then gradually I start to figure out what's going on.

Inevitably people will get tired of me. People get tired of everyone except Jimmy Stewart. I'm not saying Jimmy Stewart would get tired of me, I'm just saying people will never get tired of Jimmy Stewart.

I just look at it as a real group activity when you are making movies. There are so many different artists doing so many different things, and they are all interconnected. So I like to see what everybody else is going to bring to the table before I make up my mind too much about anything.

People are morons. I don't do any social media stuff. I have people telling me all the time, "You should do Twitter, you should do this, you should get on Facebook." Are you insane? I'm not doing any of that crap. I stay the hell off that thing. Every once in a while, I send a business email, and that's it.

I know this'll sound obnoxious, but acting was very much an accident for me. I didn't have, like, posters of Marlon Brando in my bedroom when I was growing up.

If you don't fight the system, you can either take advantage of the system or let the system take advantage of you.

I'm just kind of odd. There are dark forces in the world, and if you pay attention to what's going on around you, you end up incorporating it into the storytelling. Maybe it's some aspect of myself that's coming through that people are seeing, that I am in fact a quiet psycho.

If you give me enough time, enough leash, I can become pretty reasonable.

It is surprising that people are snapping photos and stuff and then putting them on the internet. For me, it is like, "Why would you want to do that?" It would be like knowing what your Christmas presents were before Christmas morning.

I guess if there's one thing that might surprise people about me, it's that I'm very obedient. I'm kind of like a dog. I look at acting as kind of a service industry. You're there to serve the writer and the director. I don't really look at it as an act of self-expression, like I'm going to say what's on my mind.

There are so many people who make their fortunes of the misfortunes of others. I don't know if it's because the world is too damn crowded, or what, but it's something that I've been noticing for awhile.

I'm equally terrified of both comedy and drama. The only thing I'm really comfortable with is action.

My dad used to say, 'You have to become part of the machine to beat the machine,' and there's some validity in it. But honestly, even when I'm inside the machine, you still see me. I stick out a little bit.

If you don't believe there's some organising principle, or somebody up in the sky pulling the strings, then it can be very stressful. And nature itself is very arbitrary - it's not malevolent or benevolent; it doesn't even know we're here.

Theater is the best. That's where you get the work done. You just really get in there and figure something out about a story or a character or life or the world. That's where magic stuff happens.

If you are only getting two takes and you are on a crazy set where there is a lot of noise and distractions and it is hard to focus - that is frustrating. But I don't mind two takes if there is a healthy respect with the work going on with the actors.

When I'm working, I don't wake up and say, 'OK, time to go be intense.' I just look at whatever scenes we're working on that day and break them down - just real intense everyday work.

One thing I'm a big fan of is the theater of the absurd. That's what I come from, that's what I love to do more than anything. What I love about absurdity is the words "comedy" and "drama" get thrown out the window and it's just life, which is absurd.

You got to know what's worth keeping and what's worth letting go.

If you are going to be on TV for however many years, you want to make sure that you have writers that are giving you something to work with, and I got that in spades.

Let's point out the elephant in the room: Actor bands are not notoriously successful enterprises. I can't think of any.

People don't go to the movies to get the news, people don't go to the movies to learn a lesson. People go to the movie to get an emotional experience.

When you put your costume on and you get your hair and your makeup done [for a role] and you stare in the mirror you feel like a different person.

I have been acting for over 20 years and I started in the smallest little theater that you can possibly imagine and then I very slowly built myself to this point. So it is never like there is this real sharp change or something that really startled me. It has just been very gradual.

Plenty of people are onto the emptiness but it takes real guts to see the hopelessness.

I just keep working on things I like, and hope for the best. I hope people enjoy them.

Most of the time for movies and stuff, with the exception of Jeff Nichols, who I've worked with a few times, you just don't know people too well. Everyone is cordial and nice and some people are very genuinely friendly, but once the movie is over you never see them again.

I don't travel for fun, because I travel so much with my work; when I'm not working, I mostly want to stay home.

One of the great things about acting is you can do things that in real life would get you in trouble. I think that's something I figured out pretty early on.

The stage is a routine. It keeps you grounded, like a metronome. I find that soothing.

I've never worried about anything in my life a fraction of the way I worry about my daughter. It's much more than hoping people like the play you're in, or that your outfit doesn't look bad. It's the real deal.

Everything that happens on Wall Street only fortifies my opinion that there is in fact a more ludicrous industry than the entertainment industry.

A lot of times people will send me stuff. They will find something and they will send it to me and then I will take a look at it. Every once in awhile I will go on IMDB for 10 or 15 minutes and look around. But I am not a huge gearhead. I don't even have my own computer. I use my girlfriends.

I don't pick my roles by genre; that's kind of silly.

I think if you watch a lot of what I do, you're going to ultimately walk away seeing me. I can't hide - that impression is a personal impression people have of me.

When you see a struggle that you may be having personally put on a big screen and in a roomful of people, then it makes you feel less crazy or alone, because you're seeing that other people are dealing with it too. You get to see in this imaginary scenario how people might try and answer some questions or deal with some problems.

The most fascinating part of movies is the organism of the movie - it's such a bizarre thing to do, to make a movie. To see these people come together, band in unity, to create this thing that almost doesn't exist. It only exists because it's projected on a screen, but other than that, it's an illusion.

Well, I think anybody who's had a baby can tell you that once you have a baby, they kind of become the main focus. I don't think there's gonna be a lot of room for anything else.