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Jose ortega y gasset insights

Explore a captivating collection of Jose ortega y gasset’s most profound quotes, reflecting his deep wisdom and unique perspective on life, science, and the universe. Each quote offers timeless inspiration and insight.

Life means to have something definite to do-a mission to fulfill-and in the measure in which we avoid setting our life to something, we make it empty. Human life, by its very nature, has to be dedicated to something.

The hunter is the alert man. But this itself-life as complete alertness-is the attitude in which the animal exists in the jungle.

This fighting-shy of every obligation partly explains the phenomenon, half ridiculous, half disgraceful, Of the setting-up in our days of the platform of "youth" as youth. ... In comic fashion people call themselves "young," because they have heard that youth has more rights than obligations, since it can put off the fulfilment of these latter to the Greek Kalends of maturity. ...[T]he astounding thing at present is that these take it as an effective right precisely in order to claim for themselves all those other rights which only belong to the man who has already done something.

Love is that splendid triggering of human vitality the supreme activity which nature affords anyone for going out of himself toward someone else.

I am I plus my surroundings; and if I do not preserve the latter, I do not preserve myself.

History is the science of people.

We do not live to think, but, on the contrary, we think in order that we may succeed in surviving.

This is the gravest danger that today threatens civilization: State intervention; the absorption of all spontaneous social effort by the State, that is to say, of spontaneous historical action, which in the long run sustains, nourishes, and impels human destinies.

The choice of a point of view is the initial act of a culture.

Every life is, more or less, a ruin among whose debris we have to discover what the person ought to have been.

Under the species of Syndicalism and Fascism there appears for the first time in Europe a type of man who does not want to give reasons or to be right, but simply shows himself resolved to impose his opinions.

In these years we are witnessing the gigantic spectacle of innumerable human lives wandering about lost in their own labyrinths, through not having anything to which to give themselves.

To be surprised, to wonder, is to begin to understand. This is the sport, the luxury, special to the intellectual man.

tragedy in the theater opens our eyes so that we can discover and appreciate the heroic in reality.

It would be a piece of ingenuousness to accuse the man of today of his lack of moral code. The accusation would leave him cold, or rather, would flatter him. Immoralism has become a commonplace, and anybody and everybody boasts of practising it.

The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him.

Hatred is a feeling which leads to the extinction of values.

I am myself and what is around me, and if I do not save it, it shall not save me.

Liberalism is that principle of political rights, according to which the public authority, in spite of being all-powerful, limits itself and attempts, even at ist own expense, to leave room in the state over which it rules for those to live who neither think nor feel as it does, that is to say as do the stronger, the majority.

Here, then, is the point at which I see the new mission of the librarian rise up incomparably higher than all those preceding. Up until the present, the librarian has been principally occupied with the book as a thing, as a material object. From now on he must give his attention to the book as a living function. He must become a policeman, master of the raging book.

The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands.

The characteristic of the hour is that the commonplace mind, knowing itself to be commonplace, has the assurance to proclaim the rights of the commonplace and to impose them wherever it will.

The good is, like nature, an immense landscape in which man advances through centuries of exploration.

The masses think that is is easy to flee from reality, when it is the most difficult thing in the world.

Poetry has become the higher algebra of metaphors.

The most radical division that it is possible to make of humanity is that which splits it into two classes of creatures: Those who make great demands on themselves, piling up difficulties and duties; and those who demand nothing special of themselves, but for whom to live is to be every moment what they already are, without imposing on themselves any effort towards perfection, mere buoys that float on the waves.

When you are fed up with the troublesome present, you take your gun, whistle for your dog, go out to the mountain, and, without further ado, give yourself the pleasure during a few hours or a few days of being "Paleolithic."

Liberalism -- it is well to recall this today -- is the supreme form of generosity; it is the right which the majority concedes to minorities and hence it is the noblest cry that has ever resounded in this planet. It announces the determination to share existence with the enemy; more than that, with an enemy which is weak.

I am I plus my circumstances.

The past will not tell us what we ought to do, but... what we ought to avoid.

We live at a time when man believes himself fabulously capable of creation, but he does not know what to create.

We distinguish the excellent man from the common man by saying that the former is the one who makes great demands on himself, and the latter who makes no demands on himself.

There is no doubt; even a rejection can be the shadow of a caress”.

One age cannot be completely understood if all the others are not understood. The song of history can only be sung as a whole.

What makes a nation great is not primarily its great men, but the stature of its innumerable mediocre ones.

Imagine for a moment that each one of us takes only a little more care for each hour of his days, that he demands in it a little more of elegance and intensity; then, multiplying all these minute pressures toward the perfecting and deepening of each life by all the others, calculate for yourselves the gigantic enrichment, the fabulous ennobling which this process would create for human society.

He who wishes to teach us a truth should not tell it to us, but simply suggest it with a brief gesture, a gesture which starts an ideal trajectory in the air along which we glide until we find ourselves at the feet of the new truth.

A fascinating mystery of nature is manifested in the universal fact of hunting: the inexorable hierarchy among living beings. Every animal is in a relationship of superiority or inferiority with regard to every other. Strict equality is exceedingly improbable and anomalous.

Whether he be an original or a plagiarist, man is the novelist of himself.

The man who discovers a new scientific truth has previously had to smash to atoms almost everything he had learnt, and arrives at the new truth with hands blood stained from the slaughter of a thousand platitudes.

I am free by compulsion, whether I wish to be or not.

For the person for whom small things do not exist, the great is not great.

And this is the simple truth - that to live is to feel oneself lost. He who accepts it has already begun to find himself to be on firm ground.

Life is a series of collisions with the future.

[T]he mass-man sees in the State an anonymous power, and feeling himself, like it, anonymous, he believes that the State is something of his own. Suppose that in the public life of a country some difficulty, conflict, or problem presents itself, the mass-man will tend to demand that the State intervene immediately and undertake a solution directly with its immense and unassailable resources. This is the gravest danger that to-day threatens civilisation: State intervention; the absorption of all spontaneous social effort by the State.

Abasement, degradation is simply the manner of life of the man who has refused to be what it is his duty to be.

Living is nothing more or less than doing one thing instead of another.

Strictly speaking, the mass, as a psychological fact, can be defined without waiting for individuals to appear in mass formation. In the presence of one individual we can decide whether he is "mass" or not. The mass is all that which sets no value on itself good or ill based on specific grounds, but which feels itself "just like everybody," and nevertheless is not concerned about it; is, in fact, quite happy to feel itself as one with everybody else.

Biography - a system in which the contradictions of a human life are unified.

Rancor is an outpouring of a feeling of inferiority.

The metaphor is probably the most fertile power possessed by man

Life is a series of collisions with the future; it is not the sum of what we have been, but what we yearn to be.

The individual point of view is the only point of view from which one is able to look at the world in its truth.

The common man, finding himself in a world so excellent, technically and socially, believes it has been produced by nature, and never thinks of the personal efforts of highly endowed individuals which the creation of this new world presupposed. Still less will he admit the notion that all these facilities still require the support of certain difficult human virtues, the least failure of which would cause the rapid disappearance of the whole magnificent edifice.

Man's being is made of such strange stuff as to be partly akin to nature and partly not, at once natural and extranatural, a kind of ontological centaur, half immersed in nature, half transcending it.

All life is the struggle, the effort to be itself.

To write well consists of continuously making small erosions, wearing away grammar in its established form, current norms of language. It is an act of permanent rebellion and subversion against social environs.

We fall in love when our imagination projects nonexistent perfection upon another person. One day, the fantasy evaporates and with it, love dies.

Law is born from despair of human nature.

Why write if this too easy activity of pushing a pen across paper is not given a certain bullfighting risk and we do not approach dangerous, agile and two-horned topics?

I have always thought that clarity is a form of courtesy that the philosopher owes; moreover, this discipline of ours considers it more truly a matter of honor today than ever before to be open to all minds ... This is different from the individual sciences which increasingly [interpose] between the treasure of their discoveries and the curiosity of the profane the tremendous dragon of their closed terminology.

These are the only genuine ideas, the ideas of the shipwrecked. All the rest is rhetoric, posturing, farce.

We need to study the whole of history, not to fall back into it, but to see if we can escape from it.

With morality we correct the mistakes of our instincts, and with love we correct the mistakes of our morals.

The poet begins where the man ends. The man's lot is to live his human life, the poet's to invent what is nonexistent.

We cannot put off living until we are ready. The most salient characteristic of life is its urgency, 'here and now' without any possible postponement. Life is fired at us point-blank.

Man in a word has no nature; what he has... is history.

Life, individual or collective, personal or historic, is the one entity in the universe whose substance is compact of danger, of adventure. It is, in the strict sense of the word, drama. The primary, radical meaning of life appears when it is employed in the sense not of biology, but of biography. For the very strong reason that the whole of biology is quite definitely only a chapter in certain biographies, it is what biologists do in the portion of their lives open to biography.

Living is a constant process of deciding what we are going to do.

Our firmest convictions are apt to be the most suspect; they mark our limitations and our bounds. Life is a petty thing unless it is moved by the indomitable urge to extend its boundaries.

Tell me to what you pay attention and I will tell you who you are.

The type of human being we prefer reveals the contours of our heart.

Order is not pressure which is imposed on society from without, but an equilibrium which is set up from within.

There are people who so arrange their lives that they feed themselves only on side dishes.

Man adapts himself to everything, to the best and the worst.

That Marxism should triumph in Russia, where there is no industry, would be the greatest contradiction that Marxism could undergo. But there is no such contradiction, for there is no such triumph. Russia is Marxist more or less as the Germans of the Holy Roman Empire were Romans.

There are, above all, times in which the human reality, always mobile, accelerates, and bursts into vertiginous speeds. Our time is such a one, for it is made of descent and fall.

The librarian's mission should be, not like up to now, a mere handling of the book as an object, but rather a know how (mise au point) of the book as a vital function.

Love is exclusivity, selection.

Man is a substantial emigrant on a pilgrimage of being, and it is accordingly meaningless to set limits to what he is capable of being.

The heart of man does not tolerate an absence of the excellent and supreme.

Hating someone is feeling irritation by their mere existence.

Civilization is nothing more than the effort to reduce the use of force to the last resort.

To wonder is to begin to understand.

An 'unemployed' existence is a worse negation of life than death itself.

Life is fired at us point blank.

The will to be oneself is heroism

Excellence means when a man or woman asks of himself more than others do.

In their choice of lovers both the male and the female reveal their essential nature. The type of human being we prefer reveals the contours of our heart. Love is an impulse which springs from the most profound depths of our beings, and upon reaching the visible surface of life carries with it an alluvium of shells and seaweed from the inner abyss. A skilled naturalist, by filing these materials, can reconstruct the oceanic depths from which they have been uprooted.

Nobility is defined by the demands it makes on us - by obligations, not by rights. Noblesse oblige. 'To live as one likes is plebeian; the noble man aspires to order and law.'

Life is a struggle with things to maintain itself among them. Concepts are the strategic plan we form in answer to the attack.

Thought is not a gift to man but a laborious, precarious and volatile acquisition.

Barbarism is the absence of standards to which appeal can be made.

To live is to feel oneself lost.

The real magic wand is the child's own mind.

The people with the clear heads are the ones who look life in the face, realize that everything in it is problematic, and feel themselves lost. And this is the simple truth: that to live is to feel oneself lost. Those who accept it have already begun to find themselves, to be on firm ground.

The person portrayed and the portrait are two entirely different things.

The direction of society has been taken over by a type of man who is not interested in the principles of civilisation. Not of this or that civilisation but from what we can judge today of any civilisation. The type of man dominant today is a primitive one, a Naturmensch rising up in the midst of a civilised world.

Effort is only effort when it begins to hurt.

Romantic poses aside, let us recognize that "falling in love"...is an inferior state of mind, a form of transitory imbecility.

Life is an operation which is done in a forward direction. One lives toward the future, because to live consists inexorably in doing, in each individual life making itself.

Civilization is nothing else but the attempt to reduce force to being the last resort.

Today violence is the rhetoric of the period.

Stupefaction, when it persists, becomes stupidity.

I have never said that human society ought to be aristocratic, but a great deal more than that. What I have said, and still believe with ever-increasing conviction, is that human society is always, whether it will or no, aristocratic by its very essence, to the extreme that it is a society in the measure that it is aristocratic, and ceases to be such when it ceases to be aristocratic. Of course I am speaking now of society and not of the State.

Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world

The hunter who accepts the sporting code of ethics keeps his commandments in the greatest solitude, with no witness or audience other than the sharp peaks of the mountain, the roaming cloud, the stern oak, the trembling juniper, and the passing animal.

The cynic, a parasite of civilization, lives by denying it, for the very reason that he is convinced that it will not fail.

To learn English you must begin by thrusting the jaw forward, almost clenching the teeth, and practically immbilizing the lips. In this way the English produce the series of unpleasant little mews of which their language consists.

By speaking, by thinking, we undertake to clarify things, and that forces us to exacerbate them, dislocate them, schematize them. Every concept is in itself an exaggeration.

[I]t is necessary to insist upon this extraordinary but undeniable fact: experimental science has progressed thanks in great part to the work of men astoundingly mediocre, and even less than mediocre. That is to say, modern science, the root and symbol of our actual civilization, finds a place for the intellectually commonplace man and allows him to work therein with success.

Man is a fugitive from nature.

In our rather stupid time, hunting is belittled and misunderstood, many refusing to see it for the vital vacation from the human condition that it is, or to acknowledge that the hunter does not hunt in order to kill; on the contrary, he kills in order to have hunted.

The difficulties which I meet with in order to realize my existence are precisely what awaken and mobilize my activities, my capacities.

Being an artist means ceasing to take seriously that very serious person we are when we are not an artist.

An idea is a putting truth in check-mate.

We cannot put off living until we are ready.

All we are given is possibilities — to make ourselves one thing or another.

Revolution is not the uprising against preexisting order, but the setting up of a new order contradictory to the traditional one

This leads us to note down in our psychological chart of the mass-man of today two fundamental traits: the free expansion of his vital desires, and, therefore, of his personality; and his radical ingratitude towards all that has made possible the ease of his existence. These traits together make up the well-known psychology of the spoilt child.

Life is a terrible conflict, a grandiose and atrocious confluence. Hunting submerges man deliberately in that formidable mystery and therefore contains something of religious rite and emotion in which homage is paid to what is divine, transcendent, and in the laws of Nature.

To be free means to be lacking in constitutive identity...

The assurance that we have no means of answering [final] questions is no valid excuse for callousness towards them. The more deeply should we feel, down to the roots of our being, their pressure and their sting. Whose hunger has ever been [sated] with the knowledge that he could not eat?

The mass believes that it has the right to impose and to give force of law to notions born in the café.

Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness. The symbol of art is seen again in the magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove. All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world.