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Geena davis insights

Explore a captivating collection of Geena davis’s most profound quotes, reflecting his deep wisdom and unique perspective on life, science, and the universe. Each quote offers timeless inspiration and insight.

Archery is something that I took up later and didn't know I had a natural aptitude for.

I realized that in all the sectors of society where there's a huge gender disparity, the one place that can be fixed overnight is onscreen. You think about getting half of Congress, or the presidency ... It's going to take a while no matter how hard we work on it. But half of the board members and half of the CEOs can be women in the next movie somebody makes; it can be absolutely half.

Obviously, movies don't almost ever shoot in sequence.

My daughter was a toddler. I had no idea there was anything wrong with kids' media.I started watching little preschool shows with her or G-rated videos or whatever; I couldn't believe what I was seeing, that there seemed to be far more male characters than female characters in what we make for little kids. It was just a shock.

I immediately noticed there were far more male characters than female characters in the programs, even now, in the 21st century.

I told my parents when I was three that I wanted to be in movies. I don't know what I saw at three years old that would make me decide that's a job and I want to have that job. But I was very confident, very sure that's what I wanted to do. I didn't do anything about it. I didn't prove it to myself or anything. I just knew.

We have it in our heads that women only need to take up a certain amount of space and then we've done right by them. It's the same in every profession. We get a handful of women professors, a few female board members - that looks normal.

All of Hollywood is run on one assumption: That women will watch stories about men, but men won't watch stories about women. It is a horrible indictment of our society of we assume that one half of our population is just not interested in the other half.

Ridiculously - fortunately - my first job was with Dustin Hoffman. I had a little part in this movie called Tootsie. And he taught me how to watch dailies. That it was very important.

The creators of kids' media had no idea they were leaving out that many female characters. They were in utter shock that the worlds they were creating were so bereft of female presences.

I drive [Susan Sarandon] nuts. I'm always talking about her being my hero. I'm sure she's probably sick of it.

I just read that 81 percent of Americans are ready to vote for a woman. So it sounds like America is ready.

~There are moments when I feel like I have a looong road ahead of me, with college and dating and driving and all of that. But then I realize it just means that I have so much time left to enjoy my kids. And it really does go by so quickly.~

I was really lucky that I had an aunt who was very inspiring to me. She was different than anybody in my family on either side.

It's a horrible and wonderful battle with yourself, to stay calm, stay in the moment. My coach said, "Stay here, not at the target. Don't be down there." It's why they call it the Zen art.

After a couple of rehearsals and a couple of takes, Sydney Pollack says, "Come here. Why are you not nervous?" And I [say], "Do you think it would be better if I was nervous?" And he says, "No, it's just I can't understand it - how you would be first time on a set, you're acting, when he flubs his line you make up a new line. It's very interesting." It's not that I think I'm great; that's what I knew I wanted to do.

My thing in high school was being the tallest kid in class. Always. I was always the tallest kid in class.

Even though I was 34 or 35 or something. I was like, “People can do that? Women can actually just say what they think?” It was an extraordinary experience to do that movie with her because every day was a lesson in how to just be yourself.

[My aunt] took me to my first play, too, which was dinner theater. I don't know if they have that in England, but you eat a dinner while you watch a play. And she ordered a glass of wine. I was like, "Oh my God. This is, like, the most sophisticated thing I have ever done."

The fictitious worlds created for kids are nearly bereft of female presence. It's sending a very clear message from the beginning that women and girls do not have half of the adventures, that they're not as important. We're teaching kids that girls and women don't take up half the space in the world.

The thing I noticed, have learned the most about directors, is: when they're very confident in themselves, they're open to creativity from other people. If they're scared or nervous, then they shut off and nobody's ideas [count].

I really only did theater in school in college. I did summer stock a couple of times in the summer, and plays that the school put on. But I knew I wanted to be in movies.

This is really funny, but we did a study of the occupations of female characters on TV, and there are so many female forensic scientists on TV because of all the CSI shows and Bones and whatever. I don't have to lobby anybody to add more female forensic scientists as role models. There's plenty.In real life, the people going into that field now are something like two-thirds women.

I had a deliberate plan to get into movies by becoming a model, so I went to New York and got a job pretending to be a mannequin in store windows.

I was all limbs and I was very convinced that I must be uncoordinated, so I didn't want to try any sports. And the girls' basketball team was constantly like, "Please, please just come play."

Having a very complicated life, or a lot of problems, or a lot of flaws, is always great to play.

Any movie you see, if Tom Cruise is in an action movie or whatever it is, The Avengers, there's going to be a kick-ass female character. Usually one. And there's a term for this, but I don't know what it is. But someone's coined a term where there's one female character who's incredibly tough and strong and just as good as the guys at whatever it is they’re doing, and usually wearing black, skin-tight clothes, and [she] has no personality whatsoever, and is not funny.

I'm not somebody who takes stuff home with them, that if I shoot a scene and I'm personally impacted for days or something. I mean it certainly is affecting and everything, but it doesn't penetrate to some deeper layer. I'm in it when I'm in it.

What are we doing that for in the 21st century? Why on earth would we teach kids that girls are less important than boys? It just made no sense to me.

I used to be very unathletic. I was always so gangly and self-conscious about my height. I had convinced myself I was uncoordinated. And as a result, I didn't want to try stuff.

My whole theory about why I couldn’t find any creators who realized they were leaving out female characters is because they were raised on the same ratio. I just heard someone the other day call it either ‘smurfing’ a movie, which is when there’s one female character, or ‘minioning’ a movie, which is when there’s no female characters.

I love theater. Just, it never spoke to me.

I was 16 or something. [My aunt] broadened my understanding of what women could be like and do and that there's a big world out there. So she had a huge impact on me.

Somebody warned me early on to be very careful about brushing up against the chocolate.

They called and said, "I know we're not supposed to even tell you, but you've been offered to play the President." And I said, "OK. Say yes." And they were like, "Do you want to read it maybe?" And I was like, "No, I just want to be the president."

My theory of everything is that we are training kids to have gender bias against girls, therefore when you are an adult, you don't see it. We think it's normal.

When it came time for college, I told my parents I was going to major in acting. And they were so removed from anything to do with show business - my dad built our house and my mom grew our food.

Everything I do, I want to take it to the farthest possible degree. I can't just do something the plain way. I don't cook a bowl of pasta; it has to be puff pastry swans.

I do have a very chill - I can watch all my movies. A lot of people don't like to watch their work. I watch everything. All the time.

I got cast playing the best baseball player anybody's ever seen. I don't know how to play any sport, including baseball, but I trained really hard. They had these great coaches, and they started saying, "Wow, you have some like really untapped athletic ability."

I think I always had joie de vivre. But I had pretty bad self-esteem growing up and much of my adult life.

Look at the number of cop shows and lawyer shows and forensics shows... I think there could be room for two quite different examinations of the same political office.

There were so many women who had worked throughout the war in every possible job. They were told, "Now leave, so the men can come in" and there was this whole feminizing of women: You have to be very, very retiring and submissive and whatever.

I met the former president of Iceland [Jóhanna Sigurðardóttir] once. I think she was president for, like, 16 years or something. She said she used to get letters from little boys saying, "Madam President, do you think it will ever be possible for a boy to be president?" Just like we assume that girls can't be politicians, they were assuming boys can't. That's what they thought. It's so crazy.

I had a pretty poor self-image for a long time. I broke into acting as a model in New York. I was never anything like a "supermodel," but I made a living at it for a couple years. The thing was, I was convinced that I was tricking everyone into thinking I was attractive.

I had this aunt who had a career and traveled. She'd say things like, "When you go to college, I think we should go scuba diving in the summer. The scuba diving in Portugal is fabulous." And I'd be like, "Portugal! Holy cats!".

I always want a challenge. My whole career has been based on trying to avoid female characters that don't get to do anything. And it's really hard to avoid those.

I wanted to take up a sport the real way and see if I actually had athletic ability. And then I happened to see it was during the Atlanta Olympics. And there was a lot of coverage of archery because the U.S. men's team won all the medals. And I thought, "Wow, that's beautiful. And it's so dramatic, a beautiful sport. And I wonder if I would be good at it?"

Women can feel inspired by the story. People who haven't been traditionally given a chance to use their skills or shine are given a chance, and they prevail.

I think if you're doing a play, you're rehearsing enough that you get to a point where it's freeing again. But in a movie, if you rehearse too much, now you've just shown everybody what you're going to do. And any element of surprise or impulsiveness is taken away.

My point was the world is missing female characters. A lot of times there is one female character, maybe even a cool one, maybe even an important one. But where are all the rest?

When my friends and I would act out movies as kids, we'd play the guys' roles, since they had the most interesting things to do. Decades later, I can hardly believe my sons and daughter are seeing many of the same limited choices in current films.

I'm the mother of two daughters, one of whom is going to get possessed. It's really spooky and great. I'm shooting it right now. That's why I'm in Chicago. I wanted to tell you about the other direction that this trying-to-get-more-female-characters thing has taken, which is that I launched my own film festival last year.

We all know the huge problem there is with entertainment in general leaving out women. Especially as actors, we know there are fewer great parts for women.

I meet Susan [Saradon], and she was amazing. We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.

We are in effect enculturating kids from the very beginning to see women and girls as not taking up half of the space.

The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.

I remember very distinctly being so tall I didn't fit sleeves, so I ended up modeling lingerie and bathing suits, sleeveless stuff, basically. I didn't have a good body, but I believed I knew how to stand or pose to mask it.

It's okay if it takes two or three years for something really good to come along, but I don't want to wait ten years for something great to come along.

I almost never get nervous. I have ice water in my veins.

Kids need to see entertainment where females are valued as much as males.

I would say how important it is that we stop teaching kids, from the beginning, that boys are more important than girls. It's the 21st century, you know, let's go here. We have to show kids that boys and girls share the sandbox equally and do equally interesting things. We're teaching kids something that we have to try to get rid of later on. Why not just stop filling them with unconscious gender bias?

I just love all the details about movies, and it's fun to be involved in everything. I just love it. It's just a little added fun thing to be consulted about stuff.

An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."

The only movies I saw till I was 17 were made by Disney. My parents had this thing. Disney was like, you know, "Ford is a good car. Disney makes good movies that are good for kids and safe."

That's the really frustrating thing, but also the fixable thing. My theory why no one notices is that that's the [women's roles] ratio thing they grew up with. It's just been that way forever, so they don't see it.

I don't really bust anybody publicly. It's much more efficient if I can impact the creators. So that's what we do. It's had a great impact.

I'm so not a party person. I'm so not social and don't go to parties.

I had told my agents that I never wanted to do an hour-long TV show. I said, "I'm not that stupid." Because it's the worst lifestyle in Hollywood.

I was so tall in high school that I was convinced that I was uncoordinated and not athletic. I was terrified to play any sport at all, no matter how hard they tried to convince me to be on the girls' basketball team as the tallest kid in class.

My parents are both from Vermont, very old-fashioned New England. We heated our house with wood my father chopped. My mom grew all of our food. We were very underexposed to everything.

I was lucky enough to be in some movies where I had powerful characters or I got to be the president on TV for a little while. Very short administration.

Because I had some roles that resonated with women, I immediately noticed that there were far more male characters than female characters in what we're showing little kids in the 21st century, which was stunning to me. But I couldn't find anybody else who noticed.

The most important thing is to change what children see from the beginning. To not create a problem we have to fix later.

So many female characters are the girlfriend of the person having the adventure. I want to play baseball, I don't want to be the girlfriend of the one [who plays].

The main thing about archery is a battle with yourself. You can ruin it all. Once you have learned the technique, the point is to recreate the perfect technique over and over and over.

The only time I got the absolute most insanely nervous in my life was at the Olympic trials, because archery is a horrible spectator sport. Nobody goes and watches an archery tournament. Because the targets are three-quarters of a football field away. Who can tell who's winning? You can't even see your own target from where you are.

I have an elbow that bends the wrong way, and I'd do things like stand in an elevator and the doors would close, and I'd pretend that my arm had got caught in it, and then I'd scream, 'Ow, ow, put it back!'

When I started out, maybe because I did Thelma & Louise early on - but people were always asking, "Are things better for women now?" I would say, "Yeah, I think so. It seems like it." Then a few years in, I started saying, "I think so. I'm getting a lot of good parts, but I don't know." Then eventually, I was like, "Google it. I don't know, but it doesn't seem great."

The more hours of television a girl watches, the fewer options she thinks she has in life.

I don't think male characters are as one-dimensional as female characters.

For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].

I don't know how in the twenty-first century we can possibly justify not showing girls things that they can aspire to, and at the same time, how can we possibly be showing boys this narrow vision of what women are and what they can be.

On film, you can't do it over again. And you do have to stop shooting at a certain point.

One thing is a fairly simple and straightforward thing. I don't long to direct. I really want to get some good parts.

The whole point of why I'm doing this is to show all kids, boys and girls, that women take up half the space and do half of the interesting things in the world and have half of the dreams and ambitions. Our slogan is, "If they see it, they can be it."

I just passed on some a script that I was sent, because I said, "I haven't yet played the person staying home, the one that says, 'Good luck, honey,' or whatever." And so that's what I look for. Therefore, by virtue of that exclusion, I'm always trying to find roles that are challenging.

When I was a model, actually, for a little while, my friend that I worked with a lot, she had horrible self-esteem too. We decided that the exact moment when we actually thought we were attractive, we wouldn't be anymore. We would just, like, miss it.

Once I fix what kids watch, I'll be moving on to everything else.

I have a Web site that parents and girls can use to learn about Title IX and take action if they find their school is not in compliance. Thirty years after Title IX passed, 80 percent of schools are not in compliance.

My knowledge of horror films is pathetic because I can't really watch them.

I'm very competitive, I think.

We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.

Women are in many ways second-class citizens in the United States in 2016, because of the way that we're portrayed in popular culture.

I just started asking my friends if they had noticed. None of them - feminists, mothers, daughters - noticed until I pointed it out. Then I decided to bring it up within the industry. I knew a lot of people, so I'd say, "Have you ever noticed how few female characters there are in kids movies?" when I met a director, a producer, whatever. And they said, "Oh, but that's not true anymore."

I watched a lot of series. I didn't watch a lot of movies on TV. But I watched Gilligan's Island and Star Trek and all that stuff.

My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.

I do like the process of producing. Later in my career, like when I had the TV show, I was a producer and I've been on a few things.

If you risk nothing, then you risk everything.

It's partly because our culture so hyper-sexualizes females that if you don't measure up to whatever we're forced to think is the standard, then you feel inadequate.

I had very, very bad self-esteem - that I was a fake, everybody was going to find out, that I didn't deserve to have success, just about my looks and really, really bad self-esteem.

The ratio of male to female characters in movies has been exactly the same since 1946. So if you've ever had people say, you know, "It's better now, it's all changed, it's all different," it's not, it hasn't. Not yet.

I wish I knew who said it, but my favorite quote is, "If a person can do it, I can do it."

A woman as the leader of the Free World is an impossibility. Muslim countries won't talk to you.

When I got pregnant, I told [Susan Sarandon ]. She said, "All right. I'm gonna tell you the thing to do when you're giving birth: Push like you're trying to win a prize, like you want to be the best patient he's ever had. He's going to give you a prize for winning that." So I did. [The doctor] said, "You are probably the best pusher I've had as a patient."

I would say any film can be called feminist that has female characters who have agency in their life, that are in charge of their fate or do important things or take up half the space. I would consider a film feminist, I don't care what it's about, but if the cast was gender balanced, where it would be just as likely that the boss or the best friend or whoever was female. It's really as simple as showing women being in charge of their destiny and giving female characters a voice.

When I started watching Breaking Bad, I binge-watched it. I thought it was so good that I started to cry. It's the only time in my life I've been completely jealous, the only time. I was like, [imitates crying] "I want to do what Bryan Cranston gets to do. I want a part like that." [both laugh] Isn't that pathetic?

If we show fictional characters doing cool stuff, then girls will want to be it in real life.

People think of me in the same breath as Robert Redford and Robert De Niro.

I was tall from minute one. Always the tallest kid by a large margin. And my fantasy was to take up less space in the world.

I haven't ever gone to any Mensa meetings.

Nobody ever said, "Well if you want to be in movies, you should go to L.A." Everybody else was going to New York. So I went to New York with them. And then I was like, "How am I supposed to get a movie?"

If it isn't a success, that still wouldn't be grounds for divorce.

In advertisements for your favorite products, are women denigrated or objectified in some way? All of that is important. I would rewrite my kids' books, I would write it in the books for the babysitter!

Instead of trying to manufacture feelings, use the way you already feel. Or at least add that in.

The most common occupation for women in G rated films is royalty - which is a great gig, if you can get it.

I'm such a wuss. But I know that The Exorcist [1973] is one of the best and most famous of [horor movies].

Behind the cameras, there's a different problem, which I think is not unconscious gender bias. It's probably categorized more as conscious gender bias. Because everybody's known the numbers for decades. Nobody's stunned to hear there are very few female directors, only 4 or 7 percent. Everybody knows, but it doesn't change anything. It doesn't make people say, "Wow! We should change that." Nothing happens. It's utterly stagnant.

My sons last summer, they won a trophy from their surfing camp and they came home and went right over to the shelf and put it up next to my Oscar. That's where we put our trophies.

Are you stupid or did you just take lessons?

All I wanted, to be petite and attractive. I was afraid I'd never stop growing.

I once read a quote that I think was Michelle Pfeiffer in an article, who said that she thought people went into acting because maybe if you could convince millions of people to like you, you will finally like yourself, approve of yourself. I don't know if that may have been a part of it.

It's really important for boys to see that girls take up half of the planet - which we do.

The second I finish shooting something, I know I could have done it better if we started right then.

I watch very little television, actually. There's so many shows I want to watch and then I know I'll get hooked and I have to binge-watch the entire thing.