Evan rachel wood quotes

All of the action, and the Wild West West fun, crazy, HBO stuff is in there and it's all amazing, but what separates the show [ Westworld] is that it's an existential drama. It's an intellectual nightmare. It is all very much based in reality. A lot of the technologies that we're exploring is stuff that we're working at, right now. All of this is not that far away. It's taking a look at humanity and the state that we're in now and what would happen, if we kept on going the way that we're going and we created this artificial intelligence.

That's why I love music so much. It completely saved me. There are so many feelings you can't explain, and you can hear one note on a guitar and somehow that sound explains what you can't put into words.

I literally cried on Lisa Joy's shoulder when it ended. Just, "Thank you." Because those roles [like Dolores in the Westworld] are few and far between. What an amazing opportunity. It was an honor and a privilege to get to bring it to life, and I hope she gives other people the strength that she's given me as a survivor and as a human. I don't even mean to make it just a woman's issue because obviously it's men and women, but it certainly is an epidemic with women.

I feel like maybe I'm going to be in with the robots because they'll see the show [Westworld] and think I'm one of them.

I also loved that there [in Into the Forest] was a beautiful balance to it, where they were strong and survivors and doing things in the film that we normally only see men do, but they were still human and vulnerable, and they still broke and had moments of weakness. That's something that we don't often get to see in these films, either.

I think it's a feminine energy, not necessarily men versus women, but a nurturing, mothering, loving energy. I think definitely. But I think you need a balance of both. I think right now we're just so in the extremes and people are just conditioned and given these gender assignments very early on.

I was always into very androgynous things. Guys, girls... I'm into androgyny in general.

I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.

What I normally do as an actor in playing different roles, I just have to do in a span of three seconds sometimes, so I think I'm lucky that I've been doing it so long that I can do it rather quickly.

J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it [Westworld] was going to be amazing.

Whenever I start freaking out and getting stressed, I have to remember that this is just the beginning.

Evan Rachel Wood is a robot, yes. And some of them, there was one person in particular that was so sure, wrote like a whole thesis, and tagged the whole cast. He was like, "Here's my theory. And remember I said it first." He was so proud. And it could not have been farther from what we're actually doing, but it was cute. I love that people are getting so passionate about it because I went through a million different theories, and they would keep changing and evolving.

You don't have to fit into a particular box. You fit into a box that you're comfortable in, and you'll attract people with like minds. It took me a while to figure this out, but there are many ideals. You have to figure right what's best for you and that will radiate out of you. I think a certain amount of letting go and being brave and not being afraid to make mistakes to get there.

Working with men like Al Pacino, Tommy Lee Jones, Michael Douglas, Edward Norton, David Morse, and Kevin Costner, you have to step up and look them dead in the eye and, you know, scare them. I can see it when it happens, and they don't know it's coming. It's the best look on any man's face when he gets paired with a woman and he doesn't expect her to kick his ass. I'm not saying I've kicked any of their asses, but I feel like I have held my own and said, "I am a force to be reckoned with." It's about not being intimidated. I feel it makes me a stronger woman.

There was something so cool about being able to carry this film [Into the Forest] together [with Ellen Page] and to play off of each other. It was like having the most worthy tennis opponent.

The most complicated character I have ever played - she has many, many, many layers that even I'm not fully aware of.

Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.

The biggest lessons I've learned in life have probably come from a bad situation, from an angry situation, even if I wasn't the one who was angry.

I did my first nude scene in Mildred Pierce, and that was absolutely terrifying, but it was for an important part of the film and for a reason, and it's incredibly powerful. It's not gratuitous. I think the stuff they show on MTV is so much worse.

I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.

With bisexuality, there's so much out there in terms of what that means and there are so many definitions, and it's about finding out what's right for you.

The running joke on set [of the Westworlds] was that everyone at some point thinks that they're Anthony Hopkins. Like, "Guys, I think I'm Dr. Ford. I'm Anthony Hopkins. That's the twist." We love all of the theories. Part of the fun of that show is figuring it out.

I have to go through that arc with Dolores, and I didn't know what my arc was going to be. We found out episode by episode, and the more it went on, the more I felt a change in myself and allowed myself to be strong and to get angry and to access emotions that I don't normally, and I think a lot of women don't because we're kind of conditioned not to. It's freed me in a way, and it made me find a strength in myself.

I didn't really get a normal childhood.

I am trying to be a good person. I am trying to be myself, and if nobody likes me for me, that is their problem.

Anytime you have to get intimate on camera, it's always a little interesting. You have to trick your brain almost, so that you don't get stage fright or get too much in your head where you're super uncomfortable.

I love that this film [Into the Forest] has a balance.

I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.

I'm constantly changing, I'm constantly growing. I think I'm a little controversial... I just try and keep some mystery, so hopefully people can't really put their finger on it.

[The dancing] was a challenge. It was fun, though. I was nervous, at first, because I danced so long ago that it was weird picking it back up.

It was such a bigger picture [ Westworld] than what I thought it was. It's more of a revolution than a TV show.

I think people are really starting to rebel against that. And I think there's going to be more and more gray areas. Hopefully that means we'll see more stories with characters that could be interchangeable with men.

I love Ellen [Page] like family. And even if we don't hang out all the time, she's still just somebody that always has a place in my heart.

I was a mess when the movie [Into the Forest] ended and I had to say goodbye. It was one of the hardest endings.

And, look, I'm sorry if I have blond hair and blue eyes and my boyfriend looks like a vampire. What do you want me to do about it?

Getting to share a project with Anthony Hopkins is incredible. It's like watching Da Vinci paint or something - you're reminded why you do what you do.

I had been in a place where I was letting too many people dictate who I should be and what I should be, and I was trying to make everybody happy to the point where it was just killing me. I'd completely lost myself. It's kind of funny now that people think I've completely changed myself for Marilyn Manson, when this is actually the first time in my life that I took a stand and said, "This is who I am and this is who I've always wanted to be, and I'm finally with somebody who lets me be who I want to be."

The secret lives of politicians are always shady. People need to accept the fact that their leaders aren't perfect. No one is.

I always feel like one of the guys and very unintimidated.

Who you are as a character is kind of the foundation of everything.

I try to stay out of the public eye as much as possible because I want people to be able to watch my films and not be distracted.

I was always pale. And I'm glad that I can be open about my paleness now.

I adore Susan Sarandon, she's just so cool, and brilliant, and beautiful. I just like her whole vibe - off- and on-screen.

Sometimes I forget that I am even watching myself, realizing that's me. It's like you almost become a fan yourself: You are just this normal person watching this show, and then you realize that it's your show. It's weird sometimes.

I loved Stand By Me. I loved Tombstone. Give men a little credit. Maybe we'll be able to humanize women more and see more of their depth as people.

I wasn't doing it to shock anybody or to be rebellious or to get attention making "Heart-Shaped Glasses" with Marilyn Manson. I was more proud of that than anything because it took a lot of strength and bravery to put myself out there like that. It was a risk. I'm glad that I did it because usually the best things I've done have come from the biggest risks. Thirteen was a risk and that was amazing.

You're always striving for a place of Zen. Or a flow state, where you kind of transcend reality and you go to the other place. It's when everything is in sync, and everyone is connecting with one another. Everything is going perfectly. You lose yourself. It's the ultimate form of meditation where it's an out - of - body experience. Afterward you come back to Earth and you're like, 'What just happened? We just did something awesome!' It's this energy in the room when you know you're nailing it and you know everyone else is feeling it too. That's why theater is so awesome.

I mentioned Ellen Page on Twitter in a tweet. It was like, "I met Ellen Page last night and she's so beautiful and lovely!" So then we started talking.

I hope to have a career like Jodie Foster, going from child to adult actress.

There's really barely any sex in [The Westworlds]. But there is a lot of nudity. And it was always described to me as being done in a way that was supposed to be kind of sterile and mannequin-like and dehumanizing.

We trusted the writers and showrunners [in Westworlds] so much because they're so brilliant and the writing's so incredible. It really was like playing Marco Polo, where you just kind of followed their voice and they would lead you to water.

I'm a big karaoke fan and I also love Justin Bieber unashamedly.

I can't say I'm one way or the other because I've honestly fallen in love with a man and I've honestly fallen in love with a woman. I don't know how you label that, it's just how it is.

It was really cool to get to know her as a person and artist. And getting to act with her after a year of knowing her and be like, "Oh my god! There's a whole 'nother thing here!" It was really cool to be her friend and then see Ellen Page on the set.

All my life people have made fun of me because I was so skinny. They kind of made me feel bad about it sometimes. I worried that maybe people will think I am really anorexic.

When I watch the show [Westworld], it leaves me looking at the world around me in a new way. It really stays with you. And it's one of those things that you have to figure out. You're going to get little clues along the way, and every time you think you know what's up, we're going to flip it around. It's going to take you for a really awesome, crazy ride, but it's a really, really revolutionary character for women. There's a lot of really fun stuff to look forward to.

If I'm going to do anything extreme, I want it to have consequences.

I got the part [in Into the Forest], I started taking ballet again to try to regain my strength back. I actually love that it was changed to Crystal Pite's modern dance. And I wouldn't even really call it modern dance because it feels like it's in its own genre.

I'm also a sucker for a view. Take me to a high place where I can see the landscape or the stars or the whole city, and I'm putty, I'm melting in your arms. Then I think having a romantic night, getting a little dressed up, but don't kill yourself trying to force the romance. A bunch of little subtle changes that will make the day more special will amount to a big awesome day in your memory. I like little breadcrumbs along the way. Draw it out!

I like having surprises in the morning for each other on the bedside table, so when you wake up you have something immediately. Just like a little teaser. Then I think it's nice to stay in bed all morning. It's simple.

Authentic and free. The Gucci guilty woman is about living in the moment. She's a modern woman, someone who really owns herself and her sensuality. It's supposed to be a very empowering and sensual fragrance.

I get that some people just want to do work and keep their lives private. I think for me, it just felt like I needed to be open about who I am. It just felt like the right thing for me to do.

Everyone in the top of their fields is pouring everything they have into this, which is why it was such a massive undertaking and why filming was extended. It's not because things are going badly. It's because they're so massive and it's so complicated and we want to get it right. We're not just phoning it in. We're taking our time with it because it's really important.

We all just kinda did everything we thought we were supposed to do and girls dated the guys they were supposed to and did things with the guys they were supposed to.

I really fell for Marilyn Manson. I thought how awful it was that an artist like him could be blamed for something - someone who brings so much to the world and, if anything, probably comforts kids who are in pain by saying, "You're not alone."

I'll never forget my 24th birthday when my tooth got punched out. And for a second I was like, it would be really hilarious if I sold it on eBay. But I can't, that's just too creepy. I don't think I can go there.

It was really the dream role, and when they first cast me, and I started playing Dolores [in the Westworlds] and all I knew was the analysis mode and her prairie-girl character, I thought, "Yeah, of course I can do this, and I'm good at it, but why did they pick me?" Not because I'm not capable, but I'm also kind of a tomboy, edgy, so I was curious.

Lisa Joy is so incredible, and she's always on set making sure everyone is okay and being respectful. We have a zero-tolerance policy on that set [ in the Westworlds]. If anyone is inappropriate or makes you uncomfortable, they're literally gone in two seconds. It's no joke. It's very professional.

Dear God, I've done so many crazy hair colors and outfits and makeup looks where I look back and it's like, What the hell was I doing? You can't be afraid to make mistakes, you have to take risks. We all have those moments we look back on and wish weren't captured on film, but we're not alone in that.

Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.

One of the reasons why I fought for my roles is that I think there are so many things about them that are just human, but people like to label them as weird or bad or wrong because they're scared of them. I don't consider them bad - they're girls. They're going to make mistakes, but the films show the repercussions and show that they're going to learn. A lot of people are made to feel bad for being sad, so on top of already being unhappy, you're gonna hate yourself for it.

I've always had a real fascination with Alice in Wonderland and really related to it in some way. And since I was little, people always nicknamed me Alice, even total strangers. I do know I'm always in Wonderland. And I'm definitely just as curious. I don't mind being amongst the mad people, I enjoy it.

I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.

I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.

I think I did realize that early on, and then I went through a fun phase where I was figuring out who I was and the different sides of myself. I think like most women, I bought into a certain ideal of beauty that I didn't quite fit into, and I tried to pretzel myself and alter myself to be what I was told is beautiful, and then I realized that you are in control of what you think is beautiful.

You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.

You can become very reclusive in Hollywood. This gave us permission to be able to open up and be intimate with somebody that you might not normally be kind of brave enough or confident enough to do so with.

I think my favorite theory so far is that I am actually a robot. That's pretty great. In real life.

Whenever I talk about being a feminist or speaking out for equality, it's also about the idea that men are treated with respect. It's not just about treating women like people and not abusing them. You also can't abuse men and you can't say things like, 'Oh, he was just a man. He didn't know any better.' Or 'He's a man, what did you expect?' That's just as abusive and damaging to men, I feel.

This film [ Into the Forest], it was special for that reason, because as an actress, you usually don't get to work with other actresses because you are usually up for the same roles, and you don't get to hang out that much.

I definitely think there is a shift happening right now in terms of visibility, but there's still a choice you make as a public figure on what to do or how to present your sexuality.

When people were very concerned about the violence against women, I encouraged people to stick with it because it was going somewhere and there was a reason why. It's all a commentary on gender roles and women and having to be the damsel or to stay on the ranch or to stay at home.

I haven't got many tattoos, but the two that are most important to me are music tattoos. I have a black heart with a lightning bolt down the middle. And the black heart was for Manson and the lightning bolt down the middle was for David Bowie. I have black diamond with circles that keep swirling and swirling, and it's surrounded by sort of crazy diamonds because Pink Floyd's "Shine On You Crazy Diamond" really inspired me, and everybody's called me Crazy Diamond since I was a teenager, so it was always important to me.

When we shot that [Westworld], it was so funny. Not funny - I mean, like, funny-strange because I, personally as an actress and as a person, am so used to having to play the damsel, that when we were shooting that scene, and Jimmi looked at me and said, "Dolores, run," I ran. Then I stopped myself, and I turned around and I went, "Oh my God. I'm so used to running."

The Beatles mean so much to so many people, you know? Everybody has at least one song of The Beatles that's one of their favorite songs of all time.

I'm opening the doors, I'm buying dinner. Yeah, I'm romantic.

I don't remember a time when I wasn't acting. I have taken time off to figure out if it's what I really want to do, and it is. The only other job I'd want is to be a psychologist, as I spend most of my time analyzing people and emotions.

Sexuality is such a taboo thing. I think it should be more out in the open, especially with young women. I think it's okay for them to explore their sexuality, as long as they own it and it's portrayed in the right way.

I actually fell asleep during one take with Jeffrey Wright because I relaxed myself so much. I just stayed so still that I just nodded off, and kind of snapped back into it in the middle of the scene.

You always have that moment where you grow up and you're like, "Oh, my god, I'm being exactly like my mother." I think that's everyone's greatest hope and worst fear.

You don't have to take yourself so seriously all the time.

Just look at the messages today's media are sending everybody, from TV and commercials to actors and singers. Kids are just drowning in that 24-7 and it's getting really bad.

I have my own demons, my own pain and darkness, but I choose to embrace them and look at them head-on and deal with them. Then it doesn't hurt, and you learn from it.

I couldn't stop throwing theories at [Jimmi Simpson], and eventually I was like, "I'm sorry, I'm sorry. I will stop talking about the show [Westworlds]. I promise."

People have misconceptions about Marilyn Manson, of course, but they can think what they want.

What's amazing about this show [Westworld], and what it gives us permission to do, is to be kind of superhuman. Because at the end of the day, [Dolores] she's not a male and she's not a female. She's evolved past that. She's a very highly advanced being, and so I think it's really going to knock down a lot of stereotypes and a lot of gender roles and be a neutral party.

I would want my son to value himself as a person. To hold himself to a higher standard, and to not listen to all the stuff that's shoved down men's throats about what they're supposed to do and how they're not supposed to feel. I want him to know that he's a person and he's allowed to have emotions and be vulnerable. That doesn't mean he's not strong.