Eva green quotes
Explore a curated collection of Eva green's most famous quotes. Dive into timeless reflections that offer deep insights into life, love, and the human experience through his profound words.
Success is very ephemeral. You depend entirely on the desire of others, which makes it difficult to relax.
I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.
We didn't have a lot of time to really prepare for a great chemistry. It was more instantaneous and instinctive. In the morning I went to Daniel Craig trailer and if I wanted to make some changes there was sort of a go between me and the director. It was good because Daniel is always like, "C'mon let's go for it. Let's fight for it!"
Most of the women in film are there to be beautiful to the man.
I don't believe in awards. It's very good for the ego, I suppose.
I struggle to watch myself in any scene, to be honest. What's done is done. I wish I was able to watch myself, as it would really help me develop as an actor. But I'm not brave enough. It's a difficult thing to do - looking at yourself as this utterly different person on a screen.
I didn't know about the Bond girl thing. I was approached very quickly, boom, boom, boom, it happened.
At drama school, I always picked the really evil roles. It's a great way to deal with your everyday emotions.
When I'm at an event, I like to be an eccentric dresser. I will just keep wearing what I like.
I don't wear base, as I don't like to cover up my freckles, but I couldn't live without YSL Touche Eclat for hiding my under-eye circles. I love the smoky-eye look, so I use Dior's 5-Colour Eyeshadow in Night Dust and lashings of mascara. I finish with a dash of bronzer for a healthy glow.
Hmm, limelight... No, I'm not Sienna Miller or Angelina Jolie. I'm very lucky and happy, but I still find it very difficult to get good scripts and good roles. It's really a jungle out there.
French sounds flat. In English, you can play with pitch.
I'm not into social media. I'm like from another century.
People think I'm so strong, but I'm very shy.
Everyone wants to work in America. Maybe not blockbusters or Terminator, but to have the choice.
I'm not really involved with politics... I'm living in my cocoon with my classical music around.
To help people in the third world get educated and learn how to read and write is so important. I mean it is such an important human right.
There are a lot of people who want to be famous nowadays: singers, actors and, you know, it's like a roller-coaster. And when you are very sensitive - I'm very sensitive - you have to be very strong... You have to just not pay attention to the people who hate you, you know?
Nipples aren't killing children. They should be more concerned about the wars that are happening. There's so much violence in the world. There are so many legitimate things to be upset about besides nipples.
I think British men build up the idea of us French girls having some magic extra sex appeal so much, they lose their heads. I can't really understand the whole thing - but it makes me laugh. It's such a cliche to think all French girls are well dressed, elegant, sophisticated and sexy. Some are utter slobs, I promise you that.
I go shopping maybe three times a year in an intense way. I'm like a man. Can't spend too much time in a shop.
Some people collect butterflies - I love beetles.
If I can avoid doing stunts, I will. I don't want to die just for a movie. It's not worth it.
I've always felt a bit weird, very shy.
A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
I wear no makeup in real life. I'm very simple. That may be why I go over the top for the red carpet. But otherwise, I'm very plain. I should make more of an effort, actually.
You always feel quite vulnerable when you're naked on a set. You feel quite silly, actually. And with the green screen around you, it's not that sexy. But, it looks stunning. It's art. It's not vulgar. It's not indecent. It's not realistic. It's beautiful, I think.
Seeing what the film becomes, out of your hands - you never know, you know? I'm always rather anxious. It's not like in theater when you are more in control. You're more - not a puppet, but you don't control it. You don't own it.
I like characters who have strong facades and then have secrets. They have cracks.
I don't watch anything I'm in. Not even on set. I won't go over to the monitor to watch what we've just shot. It's too terrible. I think I'm just very self-conscious.
I love fashion from the 1930s and '40s - shoulder pads, high waists, things with structure. That is classy for me. Andrea Riseborough from the Madonna movie 'W.E.' had an amazing wardrobe.
Actually, when I'm not filming a movie, my beauty approach is really natural - I prefer a bare face that looks really healthy and dewy.
Oh, yeah, I like a high neck. And I like naked backs. It seems very sexy. Red carpets are about being a bit theatrical - having fun rather than being too safe. You have to be brave. Fashion is fun.
I play the piano. I bought an upright piano that is actually electric, so I can practice my scales with headphones on and not make my neighbours' lives hell!
We all show facets, to your mother, or to your boyfriend, or a friend. You're always a bit different.
For Tim Burton's birthday I gave him a rainbow beetle. He loved it!
I feel sick if I have to do something for the money. I can't breathe. I'm not proud of myself.
I think the work is the same in Indie films or blockbuster. It's just a difference when you do all the publicity. It's like another job. I remember the first time I did The Dreamers. I went to Venice; quite a good amount of publicity, a lot of round-tables and TV. I was just not expecting that. I thought I was going to visit Venice, but actually no.
If you're weird, it's good to be weird.
It's quite hard to find a ballsy or complex character. So the roles I've taken are those. Lot's of people put me in the dark category.
I want to travel. Maybe I'll end up living in Norway, making cakes.
It's true that I'm drawn to unusual stories. Normal roles don't really attract me.
When I'm not working I just like to be comfortable: I love black, nothing tight, no heels, no make-up - it's nice to be able to breathe!
I also liked Daniel Craig. He's not like any other Bond. So we'll see. In 10 years I might be cursed for doing it, but I'm very grateful for what it has done for me.
Traditional British desserts with lots of custard are my biggest weakness - I particularly love the puds at St. John restaurant in East London.
England understands good Chinese, Japanese and Indian cuisine; in France, we just get French.
I don't want to be a Hollywood star. I just want to do my job and enjoy it. My aim is to find my true identity and to remain true to myself.
It's very flattering to be remembered as a Bond girl with brains and not just for looking good in a bikini. I was a fan of Sophie Marceau in 'The World Is Not Enough.' I think her performance was very underrated.
In this business actors who have Botox or surgery make you very aware of age. It's awful.
I have my own style and don't really follow fashion, but I like leggings. They're easy to wear and can go with anything.
I have Algerian, Turkish, Swedish, Spanish blood: I feel like a citizen of the world. Life and cinema don't have borders.
There are not many good roles for women.
I hardly ever go to parties. If I really have to, I'll go, but I'm not the most open person, which is sometimes not the best quality.
At the end of the day, I choose something that makes my heart beat, that I can relate to, that's very complex, or human.
My mother did movies from the New Wave, but I was quite shocked I didn't know much about that period. Bernado showed us film of the demonstrations of the time.
I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'
I love photo shoots where I can be like a pinup, not myself. Where I can be feminine, glamorous, dark not like in real life. I hate it when you go in and they want you to be 'natural,' to be yourself. I just hate it. I love having fun. When they ask you to smile, I hate it. Of course I smile in my real life, but to do it on cue, that's not spontaneous. I'd rather do something that's like a little movie, like a little story, rather than just me, I feel naked.
I'm French, so I'm quite lazy about exercising, and I smoke. But I do love going for a run in the morning with my dog. That's all.
I love Ireland. I feel very at peace there. It's just magical and beautiful.
I was cast last minute for Casino Royale. They asked me to fly to Prague. I liked the script very much. I flew to Prague and did a bit of an audition. I was really focused and stressed out. And Daniel Craig was there. He was very, very blonde, like a Steve McQueen. He's moving a lot in real life. He's quite nervous. He was very lovely, very patient, and really connecting with me when we did the screen test.
I'm a dark blonde, yes. I dyed my hair blue, then black, when I was 14. I thought the colour was more flattering and matched my skin tone. I don't think I'd ever change back unless it was for a film.
There are ways of doing stunts without me. I get no pleasure putting my life in jeopardy just to get the shot. Life is too short for that nonsense.
Hollywood wouldn't suit me. In L.A. it's all about work - studio people have their five minutes with you and they go, 'Oh mah Gahd, I love your movie.' You just feel very self-conscious there.
When people say 'You're so beautiful' it makes me want to kill myself! As an actress you want to be seen for what you do, for the characters you can play, otherwise I'd be a model
The good thing about this Casino Royale thing, that I hope and pray, is that I'll have more opportunities. That roles will come up to me rather than going to the auditions. But I still have a lot of things to prove. I haven't, I think, shown all my talent.
The worst is when men try too hard, because it's not very masculine. Your outfit has to look like 'Oh, I just grabbed that.' Not too calculated. Jeans, a t-shirt: the simpler the better.
I don't like flirting, and when I love someone, I always give everything, maybe too much. And then you have to work at it all the time. I mean, the first months are always great, but afterwards it becomes hard work. It's not as passionate and crazy.
Life's too short to wear high heels.
I feel like I'm 1,000. I don't feel I'm young enough a lot of the time.
I hope I will not be typecast as a Bond girl for the rest of my life. I'm very proud of being a part of the Bond family, but I don't want to be the sexy girl forever. I'm not meaning to complain, but I just want to be taken seriously.
There's this shop in New York I go to; it has bones and fossils and insects that are like works of art. I have a few on my wall.
In Los Angeles, I feel like the ugly duckling, like I'm from Venus or something.
My mother is an actress and very well known in France; hence, I move to London to start my own life.
I was very studious, too much. I would never go out at weekends. I was very serious. You should have seen me in class - I was blushing and sweating every time the teacher asked me something.
I've never been very good talking about myself.
I was very, very nervous about the naked scenes. I'm very shy and reserved. But it was Bertolucci and I have seen Last Tango. It's not pornographic. He's a master of eroticism. I stopped being self-conscious. You have to forget everything.
I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.
Towards the end of 'Dark Shadows,' the sets are cracking and bleeding, but so is Angelique. The fact that she breaks apart physically as well as mentally lends an added dimension, and I just loved playing that.
I'll need my whole lifetime to polish my craft.
I've never played a character that is just beautiful, but sometimes you can read scripts that sound so shallow, like women are objects. I've never done something like that, though.
I'm very low-maintenance when it comes to my beauty routine.
I rehearsed it a lot underwater with a mouthpiece for Casino Royale and not freaking out, because you can't see a thing. It's like being in a really bad nightmare. I've never seen somebody drown, but I really swallowed water. It was like choreography. It was very emotional. I was crying underwater at one point.
For me, acting is like a therapy. I can express myself fully when I am acting and have blood in my veins. Even when I'm not working, I'm always living in my own world, imagining characters.
I would love to play an unexpected character. Really raw and simple and not a cliche - something rugged. People like to put actors in boxes.
My father is Swedish and my mother is French.
I'm very scared of water. When you don't see the water... I imagine monsters - stupid things.
I need to fall in love with someone. Sorry - I mean fall in love with something. I need to wake myself up.
Don't be ashamed of who you are, embrace who you are.
In the make-up trailer there are always lots of trashy magazines and it's always quite pleasant to go through them in the morning. That's when I realized, "Oh my, it's quite nasty". There was a lot of pressure on Daniel Craig. He was quite nervous and paranoid, especially in the Bahamas on the beach, lots of paparazzi. Even on me in France - nasty things! Like I was going to get fired, I was so bad.
I'm not really keen on men wearing perfumes. It's just a bit wrong! I don't find it sexy. I prefer essential oils - patchouli is nice.
I think it's very important to recognize talent in all facets of filmmaking. Making a movie is such a lengthy and intense experience, so it's wonderful to honour actors, directors, producers and all crew members who put so much hard work and passion into a project.
For me, working out is nothing to do with looks. It's to let it all out - the stress, the self-consciousness - you think less; it makes you more centred.
I always start the day with a cup of hot water and lemon - I find it really cleanses and hydrates me. I have very sensitive, dry skin, so I have to be careful about what I put on my face. My must-haves are Dermalogica cleansing gel and L'Or De Vie Creme Riche by Dior, which is thick and nourishing.
My father has always written with Mont Blanc pens. It's very chic and elegant and classic.
I'm worried because of my mother, she's going to see my performance and she's quite hard. She's going to see me naked. And my Dad, woah. Yeah, they're going to see me like a woman, you know?
That is really the freedom that allows you to create something that is exciting because who knows what's true?
I was born in Paris, and it's a beautiful place, but London feels like home. I like the village feeling, I like running in the parks - even the food isn't as bad as it used to be.
I didn't want to do 'Casino Royale' when they told me to audition. I said no. Then they sent me the script, and I thought it was actually very interesting - and I had no other work at the time.
It's boring to be like everybody.
I've always felt like I'm from another planet.
A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.
Lots of shy people dress a bit too much. It's just kind of an armour. People say the same thing about me.
I am a dreamer. Seriously, I'm living on another planet.
All my jewelry has stories.
In a Tim Burton movie, you know it's going to be something unusual, or a bit mad. Something "other."