Emily blunt quotes

I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.

If you're very open to watching the world go by, with people's different tics, you absorb it all without realizing it and find ways to put something into your character. I'm not sure I'm always aware I'm mimicking someone.

I'm about to do my second Bikram yoga class in Anchorage, Alaska. It's the only way to stay warm. I've got to get into shape. I've been eating nothing but fish and chips.

I chop a lot of onions because I love cooking, and the times where I've never cried chopping onions is when I'm not thinking about it, when I'm talking to someone or I'm listening to music.

With Ricky Gervais, it's all shades of wrong, it's my kind of humor.

I think that's almost what it is sometimes if you sum up what acting is. It's just the ultimate expression of empathy.

You can go at the premiere it's at Disneyland.

I love character roles. I'm happier in them. I look for roles that have some kind of complexity.

There is absolutely, 100 percent, a light at the end of the tunnel for anyone who stutters.

I was never a girl that dreamt of being a princess and I never dreamt about my wedding day. I hated pink and I hated fairies. I only liked hanging out with boys. I remember throwing a tantrum if my mum put me in pink. I wasn't a particularly girly girl.

I'm on a health kick! I'm drawn to cheeseburgers, so I've got to just try and keep it on an even keel.

I had a non-existent knowledge of Queen Victoria's early years. Like everyone else, I thought of her as an old lady dressed in black. My mom had told me about her, though, that she had a very loving relationship with Albert, that they had lots of kids, and that he died young.

I appreciate a slow-burn romance. In most movies, everyone is just tearing their clothes off in the first scene.

The business is all about gush and hype. You never have a bad meeting in L.A.

I don't really watch that much TV, to be honest.

I used to look like a deer in headlights on the red carpet. You step out of the car and it's bedlam. Everyone's got crazy eyes.

It just proves good movies don't need 100 million dollars to be good.

Watch the History Channel if you want it literal and historically perfect.

I find it quite hard to sum up my relationship in a sound bite. I feel that it trivializes it for other people's pleasure. It's an adventure.

I think for me the job always has to be the right thing at the right time.

It's nice to play someone who is naive.

My personal feeling is that audiences are crying out for stories they can invest in and feel. I see a lot of big movies that leave me feeling rather numb.

I'm kind of effectively bipolar.

My objective is that I don't try to do the same thing. I try not to emulate something I've done before. And, I'm a real people watcher, so I like trying to play characters that are as diverse from each other as possible, simply because it's more fun for me, actually.

I attempted to fish in Scotland and I managed to hook a dog. It was a horrible moment but the dog turned out to be fine.

It's always better just to do work that you're really proud of and work that you enjoy because really all you have are the choices you make and that's it and who knows after that. I think that's what I love in acting.

It's quite hard to faze me. I'm fairly un-shockable.

It's nerve-wracking singing in front of people. I think that's why most people get drunk for karaoke.

As long as everyone is playing for the scene or the movie, rather than themselves, then you're going to have something really good.

If you can capture the humanity of a family struggling in an economic crisis you can make a difference. You can raise awareness just of the simple humanity.

Things happen in the way they usually should. I'm a pretty fatalistic person.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

I do strive to find projects that are trying to carve out some new space. I enjoy projects that leap away from the crowd a little bit.

People just want to know something, anything. It's all the stuff you never want to talk about, the private stuff.

Give us a break! I've hardly done anything but independent films.

I almost broke my coccyx on 'The Wolf Man,' and I banged my head once. I had to fall really hard.

You shouldn't strategize your career if you're in a creative realm. You can't either. I love the unknown. I love the element of surprise. I've always felt really inspired by it. I love the spontaneity of the job. I think you can't really fight against it.

I don't think I'm the best singer in the world, for sure, but I loved doing it in 'Into the Woods.' I'll always find it tough, singing in front of people.

I'm not someone who likes to plan too much ahead.

I'm a big supporter of Joe Johnston and I think that 'Captain America' is going to be really fun and I gather that the story is really interesting. It just wasn't what I wanted to do next, to be honest.

I can understand there are things like shadows they need to fix after a shoot, but it's unfair to represent an image of yourself if it's not true. They're gonna see what you look like on film anyway, so why try to cover all your wobbly bits in a photo?

When you're in love, you're so happy that you want to tell people about it. But now I have to censor myself. You need to protect the happiness you have.

To not make any resolutions. Whenever I make them, I wind up ultimately breaking them. I think a lot of people are that way, so I am going to try and avoid inevitable disappointment next year and just not make any.

If you're in America a lot, it's easy to get into playing American. All of it, the sounds, the energies, all very different. But it's really hard to do the accent. I tend to try and stay in it all day, which is the only way I can manage it.

I'm definitely not a science nerd. That was not my forte at school.

I think I'm drawn to characters with complexity or who are under duress in some way and have some conflict going on.

Well, you wear underwear. That helps.

You feel very much like a puppet, but it had been what I was accustomed to - so you just get on with it and try to find something that rings true.

What's wonderful about Into The Woods is that you have a combination of all the most famous fairytales in this one story.

I want to find something really wonderful to do next and take my time to search through the dearth of great material, especially for women.

It's a big chip on my shoulder that I have not been to any of his parties - P. Diddy, Diddy Puff. But he was super nice to me. And he does look sharp, that guy. Doesn't ever go wrong with a suit.

The performances I enjoy are the ones that are hard to read or ambiguous or left-of-centre because it makes you look closer and that's what humans are like - quite mysterious creatures, hard to pinpoint.

Cate's absolutely spellbinding. She was like that just eating a sandwich. I knew at the time I was privileged, but since she's become God's gift to actresses I realise exactly how lucky I was.

It's funny, because when you work on a set, everyone is watching you. You are being observed by everyone.

A lot of period dramas can appear quite arch to most people, stuffy.

Personally, I'm an advocate for short engagements. Long sometimes means there is a reason for it. Two years engaged and no wedding... I'd be upset.

When I read a script, I'll have a very visceral gut reaction to what does this mean to me? How does she feel in my skin? Could I play this role?

It's very hard to play the straight lead girl and still make her sparkly and fun and real.

Why should you have to atone for making big movies?

I'm with someone who makes me incredibly happy. I'm not one of those people who subscribes to the idea that marriage takes the romance out of things. I think it gets better, it deepens. I love being a wife. We have a blast.

I think it is nice for people to appreciate a slow-burning, beautiful story that makes you feel good when it is over.

People quit on jobs. They quit on marriages. They quit on school. There's an immediacy of this day and age that doesn't lend itself to being committed to anything.

After this interview, I'm going to immigration to try to sort out my Green Card, just like any other normal person.

I find it very strange doing voiceover stuff, because you find you have to enunciate and make stupid faces in order for the point to make sense, because it's playing against the deadpan Simpson face. If you're just speaking in the regular way you speak, it will sound really boring.

It's nothing to be ashamed of to have a stutter.

Marriage is something that needs to be worked on every day. I don't know if I'm the one to give marital advice since I've only been married for a little over a year, but marriage is certainly easier if you are open, trusting and loving.

I love ambiguity. People are that way. People are very hard to work out. No one is just strong or just fragile, or anything like that.

Americans are a lot more open, of course. There's something more declamatory in the way you express emotions. It's a stereotype but it's true. British people can appear repressed in expressing emotions. Not very good at self-evaluating, or affirming situations, touching, anything like that.

I'm not much of a crier but it is mildly soul-destroying and exposing to do something physical that you are terrible at in front of other people.

I've always been quite a spontaneous person, so I would lean more towards, if you feel it and you know its right, then do it.

I'm such a diva on set.

It's sort of a meat market, the whole awards thing, and I don't think you can predict it anymore - who's going to like what you've done, if it's worthy or not. And hopefully, that's not why you make a film, because if you're distracted by that, or only striving for that, you don't do it justice.

I always think that the most interesting characters are those that are trying to cover something or those that have some sense of bravado or composure.

The more we mask ourselves, the freer we're able to be within ourselves.

I think a lot of people want to, at some point in their life, be someone else, run away and escape, in some way. We actors do get to do it. We have a job that allows for that. We have an outlet for it.

I find that it really helps that I live in the States. I'm married to an American, and I have lots of American friends.

I do try hard to pick roles that differ. I love that about the job. I think the variety that's out there is to be taken advantage of and I enjoy that element of shape shifting with everything.

I would love to be on Broadway!

I really asked myself, “Oh, my god, how am I going to do this?” That’s what I aspire to, every time I take on a new role.