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Diane ackerman insights

Explore a captivating collection of Diane ackerman’s most profound quotes, reflecting his deep wisdom and unique perspective on life, science, and the universe. Each quote offers timeless inspiration and insight.

We evolved as creatures knitted into the fabric of nature, and without its intimate truths, we can find ourselves unraveling.

Life becomes a lot simpler for a creative person when he or she finds the routine that works best. ... get in the habit of going through the routine every day, and on some of those days, you're going to be lucky and have done some good work. ... Go to your study, close the door, invent your confidence.

To begin to understand the gorgeous fever that is consciousness, we must try to understand the senses and what they can tell us about the ravishing world we have the privilege to inhabit.

Humans are the most successful invasives of all time.

The great affair, the love affair with life, is to live as variously as possible, to groom one's curiosity like a high-spirited thoroughbred, climb aboard, and gallop over the thick, sun-struck hills every day. Where there is no risk, the emotional terrain is flat and unyielding, and, despite all its dimensions, valleys, pinnacles, and detours, life will seem to have none of its magnificent geography, only a length. It began in mystery, and it will end in mystery, but what a savage and beautiful country lies in between.

In rare moments of deep play, we can lay aside our sense of self, shed time's continuum, ignore pain, and sit quietly in the absolute present, watching the world's ordinary miracles. No mind or heart hobbles. No analyzing or explaining. No questing for logic. No promises. No goals. No relationships. No worry. One is completely open to whatever drama may unfold.

The well of nature is full today. Time to go outside and take a drink.

It's essential to tailor rehab to what impassions someone. The brain gradually learns by riveting its attention-through endless repetitions.

As the most social apes, we inhabit a mirror-world in which every important relationship, whether with spouse, friend or child, shapes the brain, which in turn shapes our relationships.

The visual image is a kind of tripwire for the emotions.

In the absence of touching and being touched, people of all ages can sicken and grow touched starved. Touch seems to be as essential as sunlight.

There is a way of beholding nature which is a form of prayer, a way of minding something with such clarity and aliveness that the rest of the world recedes. It . . . gives the brain a small vacation.

Adventure is not something you travel to find. It's something you take with you, or you're not going to find it when you arrive.

The senses don't just make sense of life in bold or subtle acts of clarity, they tear reality apart into vibrant morsels and reassemble them into a meaningful pattern.

When I set a glass prism on a windowsill and allow the sun to flood through it, a spectrum of colors dances on the floor. What we call "white" is a rainbow of colored rays packed into a small space. The prism sets them free. Love is the white light of emotion.

One of the keystones of romantic love - and also of the ecstatic religion practiced by mystics - is the powerful desire to become one with the beloved.

When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn't matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly.

For me, life offers so many complexly appealing moments that two beautiful objects may be equally beautiful for different reasons and at different times. How can one choose?

The daftest logic brings such sweet unrest.

Tranquillity hides in small spaces, and when found needs to be treasured, because you know it's a phantom that will slip away again.

It's so acceptably easy for a woman not to strive too hard, not to be too adventure-crazed, not to take too many risks, not to enjoy sex with full candor ... It isn't seemly for a woman to have that much zest.

Give a man enough rope and he'll wrap himself around your little finger.

Much of life becomes background, but it is the province of art to throw buckets of light into the shadows and make life new again.

We would lie on coral sand, below sugary stars, watching Cassiopeia mount her throne and the Great Bear wash its paws in the South. I would say, "I have a secret to tell you." And, folding me in your arms, boyish and sly, you would answer: "Whisper it into my mouth.

And yet, words are the passkeys to our souls. Without them, we can't really share the enormity of our lives.

Words are such small things, like confetti in the brain, and yet they are color and clarify everything, they can stain the mind or warp the feelings.

One of the things I like best about animals in the wild is that they're always off on some errand. They have appointments to keep. It's only we humans who wonder what we're here for.

We can't enchant the world, which makes its own magic; but we can enchant ourselves by paying deep attention

Things that live by night live outside the realm of 'normal' time and so suggest living outside the realm of good and evil, since we have moralistic feelings about time. Chauvinistic about our human need to wake by day and sleep by night, we come to associate night dwellers with people up to no good at a time when they have the jump on the rest of us and are defying nature, defying their circadian rhythms.

What is erotic? The acrobatic play of the imagination. The sea of memories in which we bathe. The way we caress and worship things with our eyes. Our willingness to be stirred by the sight of the voluptuous. What is erotic is our passion for the liveliness of life.

Culture is what people invent when they have lost nature.

Ecstasy is what everyone craves - not love or sex, but a hot-blooded, soaring intensity, in which being alive is a joy and a thrill. That enravishment doesn't give meaning to life, and yet without it life seems meaningless.

Who you are isn't tied solely to what you say, even though it may feel that way to you now.

No matter how politely one says it, we owe our existence to the farts of blue-green algae.

Love is the best school, but the tuition is high and the homework can be painful.

Hit a tripwire of smell and memories explode all at once. A complex vision leaps out of the undergrowth.

An animal on a leash is not tamed by the owner. The owner is extending himself through the leash to that part of his personality which is pure dog, that part of him which just wants to eat, sleep, bark, hump chairs, wet the floor in joy, and drink out of a toilet bowl.

For better or worse, zoos are how most people come to know big or exotic animals. Few will ever see wild penguins sledding downhill to sea on their bellies, giant pandas holding bamboo lollipops in China or tree porcupines in the Canadian Rockies, balled up like giant pine cones.

In Manhattan last month I heard a woman borrowing the jargon of junkies to say to another, 'Want to do some chocolate?'

Human beings are sloshing sacks of chemicals on the move.

We think of it as a sort of traffic accident of the heart. It is an emotion that scares us more than cruelty, more than violence, more than hatred. We allow ourselves to be foiled by the vagueness of the word. After all, love requires the utmost vulnerability. We equip someone with freshly sharpened knives; strip naked; then invite him to stand close. What could be scarier?

Smell brings to mind... a family dinner of pot roast and sweet potatoes during a myrtle-mad August in a Midwestern town. Smells detonate softly in our memory like poignant land mines hidden under the weedy mass of years.

Home is where the heart is, we say, rubbing the flint of one abstraction against another.

hope and uncertainty [are] the twin ingredients necessary for romance to thrive. ... Nothing begins with so much excitement and hope, or fails as often, as love.

Look in the mirror. The face that pins you with its double gaze reveals a chastening secret.

I watched her face switch among the radio stations of memory

People search for love as if it were a city lost beneath the desert dunes, where pleasure is the law, the streets are lined with brocade cushions, and the sun never sets.

Nothing is more memorable than a smell. One scent can be unexpected, momentary and fleeting, yet conjure up a childhood summer beside a lake in the mountains...

Who would deduce the dragonfly from the larva, the iris from the bud, the lawyer from the infant? ...We are all shape-shifters and magical reinventors. Life is really a plural noun, a caravan of selves.

History is an agreed-upon fiction.

When I go biking, I am mentally far far away from civilization. The world is breaking someone else's heart.

A flower's fragrance declares to all the world that it is fertile, available, and desirable, its sex organs oozing with nectar. Its smell reminds us in vestigial ways of fertility, vigor, life-force, all the optimism, expectancy, and passionate bloom of youth. We inhale its ardent aroma and, no matter what our ages, we feel young and nubile in a world aflame with desire.

Nature is also great fun. To pretend that nature isn't fun is to miss much of the joy of being alive.

If a mind is just a few pounds of blood, urea, and electricity, how does it manage to contemplate itself, worry about its soul, do time-and-motion studies, admire the shy hooves of a goat, know that it will die, enjoy all the grand and lesser mayhems of the heart ?

Look in the mirror. The face that pins you with its double gaze reveals a chastening secret. You are looking into a predator's eyes. Most predators have eyes set right on the front of their heads, so they can use binocular vision to sight and track their prey.

All relationships change the brain - but most important are the intimate bonds that foster or fail us, altering the delicate circuits that shape memories, emotions and that ultimate souvenir, the self.

Happiness doesn't require laughter, only well-being and a sense that the world is breaking someone else's heart, not mine.

We're losing biodiversity globally at an alarming rate, and we need a cornucopia of different plants and animals, for the planet's health and our own.

What would dawn have been like, had you awakened? It would have sung through your bones. All I can do this morning is let it sing through mine.

A kiss is like singing into someone's mouth.

Love is the most important thing in our lives, a passion for which we would fight or die, and yet we're reluctant to linger over its names. Without a supple vocabulary, we can't even talk or think about it directly.

Couples are jigsaw puzzles that hang together by touching in just enough points. They're never total fits or misfits. In time, a pair invents its own commonwealth, complete with anthems, rituals, and lingos-a cult of two with fallible gods.

Nothing is more memorable than a smell. One scent can be unexpected, momentary and fleeting, yet conjure up a childhood summer beside a lake in the mountains; another, a moonlit beach; a third, a family dinner of pot roast and sweet potatoes during a myrtle-mad August in a Midwestern town. Smells detonate softly in our memory like poignant land mines hidden under the weedy mass of years. Hit a tripwire of smell and memories explode all at once. A complex vision leaps out of the undergrowth.

Wonder is a bulky emotion. When you let it fill your heart and mind, there isn't room for anxiety, distress or anything else.

Touch seems to be as essential as sunlight.

I swear I will not dishonor my soul with hatred, but offer myself humbly as a guardian of nature, as a healer of misery, as a messenger of wonder, as an architect of peace.

Poetry is an act of distillation. It takes contingency samples, is selective. It telescopes time. It focuses what most often floods past us in a polite blur.

Who would drink from a cup when they can drink from the source?

Don't just live the length of your life - live the width of it as well.

Words are small shapes in the gorgeous chaos of the world.

Our skin is what stands between us and the world.

In our heart we know that life loves life. Yet we feast on some of the other life-forms with which we share our planet; we kill to live. Taste is what carries us across that rocky moral terrain, what makes the horror palatable, and the paradox we could not defend by reason melts into a jungle of sweet temptations.

The brain is only three pounds of blood, dream, and electricity, and yet from that mortal stew come Beethoven's sonatas. Dizzie Gillespie's jazz. Audrey Hepburn's wish to spend the last month of her life in Somalia, saving children.

Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth.

The great affair, the love affair with life, is to live as variously as possible, to groom one's curiosity like a high-spirited thoroughbred, climb aboard, and gallop over the thick, sunstruck hills every day.

If we mammals don't get something to eat every day or two, our temperature drops, all our signs fall off, and we begin to starve. Living at biological red alert, it's not surprising how obsessed we are with food; I'm just amazed we don't pace and fret about it all the time.

As anyone who has received or dispensed psychotherapy knows, it's a profession whose mainspring is love. Nearly everyone who visits a therapist has a love disorder of one sort or another, and each has a story to tell - of love lost or denied, love twisted or betrayed, love perverted or shackled to violence. Broken attachments litter the office floors like pick-up sticks. People appear with frayed seams and spilling pockets.

When I go biking, I repeat a mantra of the day's sensations: bright sun, blue sky, warm breeze, blue jay's call, ice melting and so on. This helps me transcend the traffic, ignore the clamorings of work, leave all the mind theaters behind and focus on nature instead. I still must abide by the rules of the road, of biking, of gravity. But I am mentally far away from civilization. The world is breaking someone else's heart.

The more we exile ourselves from nature, the more we crave its miracle waters.

Nature is more like a seesaw than a crystal, a never-ending conga line of bold moves and corrections.

I believe consciousness is brazenly physical, a raucous mirage the brain creates to help us survive.

Symbolic of life, hair bolts from our head[s]. Like the earth, it can be harvested, but it will rise again. We can change its color and texture when the mood strikes us, but in time it will return to its original form, just as Nature will in time turn our precisely laid-out cities into a weed-way.

I'm an Earth ecstatic, and my creed is simple: All life is sacred, life loves life, and we are capable of improving our behavior toward one another. As basic as that is, for me it's also tonic and deeply spiritual, glorifying the smallest life-form and embracing the most distant stars.

Like love, travel makes you innocent again.

I don't want to be a passenger in my own life.

Love is like a batik created from many emotional colors, it is a fabric whose pattern and brightness may vary.

We live on the leash of our senses. There is no way in which to understand the world without first detecting it through the radar-net of our senses.

The heart is a museum, filled with the exhibits of a lifetime's loves.

I am a great fan of the universe, which I take literally: as one. All of it interests me, and it interests me in detail.

Libraries change lives. They are the soul of a people.

We live on the leash of our senses.

Everyone admits that love is wonderful and necessary, yet no one agrees on just what it is.

The only and absolute perfect union of two is when a baby hangs suspended in its mother's womb, like a tiny madman in a padded cell, attached to her, feeling her blood and hormones, and moods play through its body, feeling her feelings.

We tend to think of memories as monuments we once forged and may find intact beneath the weedy growth of years. But, in a real sense, memories are tied to and describe the present. Formed in an idiosyncratic way when they happened, they're also true to the moment of recall, including how you feel, all you've experienced, and new values, passions, and vulnerability. One never steps into the same stream of consciousness twice.

Nature neither gives nor expects mercy.

It began in mystery, and it will end in mystery, but what a savage and beautiful country lies in between.

I like handling newborn animals. Fallen into life from an unmappable world, they are the ultimate immigrants, full of wonder and confusion.

Success produces success, just as money produces money.

Wonder is the heaviest element on the periodic table. Even a tiny fleck of it stops time.

So often loneliness comes from being out of touch with parts of oneself. We go searching for those parts in other people, but there's a difference between feeling separate from others and separate from oneself.

We're dabbling in eugenics all the time, breeding ideal crops to replace less aesthetic or nutritious or hardy varieties; leveling forests to graze cattle or erect shopping malls and condos; planting groves of a few familiar trees that homeowners and industries prefer.

There was nothing to do but wait. It is always like this for naturalists, and for poets--the long hours of travel and preparation, and then the longer hours of waiting. All for that one electric, pulse-revving vision when the universe suddenly declares itself.

Smell is the mute sense, the one without words.

For the longest time I didn't realize I was creative - I just thought I was strange.

We tend to think of heroes only in terms of violent combat, whether it's against enemies or a natural disaster. But human beings also perform radical acts of compassion; we just don't talk about them, or we don't talk about them as much.

I don't want to get to the end of my life and find that I lived just the length of it. I want to have lived the width of it as well.

Poetry reminds us of the truths about life and human nature that we knew all along, but forgot somehow because they weren't yet in memorable language.

I'm fascinated how often and with what whole-heartedness people will risk their lives to perform acts of courage, sacrifice, and compassion for total strangers.

Disassociating, mindfulness, transcendence-whatever the label-it's a sort of loophole in our contract with reality, a form of self-rescue.

What an odd, ruminating, noisy, self-interrupting conversation we conduct with ourselves from birth to death.

[On gardens:] I think they're sanctuaries for the mind and spirit. ... It's easy to feel wonder-struck in a garden, especially if you cultivate delight.

Knee-deep in the cosmic overwhelm, I’m stricken by the ricochet wonder of it all: the plain everythingness of everything, in cahoots with the everythingness of everything else.

I think if you look at any facet of nature in enough detail, you find it fascinating. How could you not? The universe is so full of marvels. Here's an example -- rain, the shape of rain. I was minding my own business, working on my book, looking out the window, and it was raining and I was noticing that the raindrops were falling in that classic round-looking way, and I thought, 'I wonder if raindrops really are round?' So I started researching it a little, and I discovered that raindrops change shape 300 times a second.

I'm sure civilizations will still evolve through play, or rather as play, since that seems to be a fundamental mechanism of our humanity.

Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth. We walk through it, yell into it, rake leaves, wash the dog, and drive cars in it. We breathe it deep within us. With every breath, we inhale millions of molecules of sky, heat them briefly, and then exhale them back into the world.

A poem records emotions and moods that lie beyond normal language, that can only be patched together and hinted at metaphorically.

I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.

As a species, we've somehow survived large and small ice ages, genetic bottlenecks, plagues, world wars and all manner of natural disasters, but I sometimes wonder if we'll survive our own ingenuity.

Of all the errands life seems to be running, of all the mysteries that enchant us, love is my favorite

One can live at a low flame. Most people do. For some, life is an exercise in moderation (best china saved for special occasions), but given something like death, what does it matter if one looks foolish now and then, or tries too hard, or cares too deeply?

For if I do something, I never do it thoughtlessly.

Above all, we ask the poet to teach us a way of seeing.

American writer 1803-1882 Play is our brain's favorite way of learning.

We are defined by how we place our attention.

I hate the fearful trimming of possibilities that age brings.