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David byrne insights

Explore a captivating collection of David byrne’s most profound quotes, reflecting his deep wisdom and unique perspective on life, science, and the universe. Each quote offers timeless inspiration and insight.

Most of our lives aren't that exciting, but the drama is still going on in the small details.

Deep down, I know I have this intuition or instinct that a lot of creative people have, that their demons are also what make them create.

Always be skeptical about simplicity.

Why not invest in the future of music, instead of building fortresses to preserve its past?

People will remember you better if you always wear the same outfit.

I'm afraid that everything will get homogenized and be the same

A little touch of chaos and danger makes a city sexy.

It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?

London's tempo is 122.86 beats per minute.

Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.

I don't care how impossible it seems.

I love getting out of my comfort zone.

From what I've heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.

Everything's intentional. It's just filling in the dots.

I don't think I have grand visions that I will never achieve.

Things fall apart, it's scientific.

I'm really curious how the private listening - iPods, people listening on their phones - how that might eventual effect music. There'll be a whole genre of music that really works on a kind of one to one headphone or earbud level but doesn't really work when you play it in a room.

Human beings have the incredible capacity for denial. I think they do. And although it's really hard to believe, I have my doubts. But my feeling is that first they have to convince themselves. First they have to justify this stuff to themselves and if they can do that, even for just the moment that it's coming out their mouth, then they can kind of mouth it with kind of believable sincerity, even if some of us.

Television sounded really different than the Ramones sounded really different than us sounded really different than Blondie sounded really different than the Sex Pistols

I am an immigrant with a Green Card and, therefore, I am not eligible to vote in a federal election.

We do express our emotions, our reactions to events, breakups and infatuations, but the way we do that - the art of it - is in putting them into prescribed forms or squeezing them into new forms that perfectly fit some emerging context. That’s part of the creative process, and we do it instinctively; we internalize it, like birds do. And it’s a joy to sing, like the birds do.

Singing is a trick to get people to listen to music for longer than they would ordinarily.

As everything becomes digitized, there's the idea that things that can't be digitized become more valuable.

What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open.

The most common music that you hear anywhere in the world now basically has its roots in that union that happened in the last century, or in the century before that. That kind of music that's groove or beat oriented just didn't exist in lots of cultures before that.

I found music to be the therapy of choice.

I couldn't take pictures of green rolling hills.

When things get so absurd and so stupid and so ridiculous that you just can't bear it, you cannot help but turn everything into a joke.

Interviewer: If I gave you fifty dollars, right now, what would you do with it?David Byrne: I would get something to eat.

With music, you often don't have to translate it. It just affects you, and you don't know why.

Technology has altered the way music sounds, how it’s composed and how we experience it. It has also flooded the world with music. The world is awash with (mostly) recorded sounds. We used to have to pay for music or make it ourselves; playing, hearing and experiencing it was exceptional, a rare and special experience. Now hearing it is ubiquitous, and silence is the rarity that we pay for and savor.

Something about music urges us to engage with its larger context, beyond the piece of plastic it came on-it seems to be part of our genetic makeup that we can be so deeply moved by this art form. Music resonates in so many parts of the brain that we can't conceive of it being an isolated thing.

I’m not all about money, but, like most musicians, I am about survival.

Creative work is more accurately a machine that digs down and finds stuff, emotional stuff that will someday be raw material that can be used to produce more stuff, stuff like itself - clay to be available for future use.

My favorite time of day is to get up and eat leftovers from dinner, especially spicy food.

The more you know, the more you know you don't know and the more you know that you don't know.

You may say to yourself: "Well, how did I get here?"

This ain't no party, this ain't no disco, this ain't no fooling around.

I couldn't talk to people face to face, so I got on stage and started screaming and squealing and twitching.

Living "in" a story, being part of a narrative, is much more satisfying than living without one. I don't always know what narrative it is, because I'm living my life and not always reflecting on it, but as I edit these pages I am aware that I have an urge to see my sometimes random wandering as having a plot, a purpose guided by some underlying story.

Yeah, I like to keep myself interested - I'll kind of throw myself into some area that I don't completely know or understand, that I'm not adept at, so I'm forced to swim in order to stay afloat. There's a good feeling that comes from that.

I read the NY Times but I don't trust all of it

I've rarely seen video screens used well in a music concert.

That's the one for my tombstone... Here lies David Byrne. Why the big suit?

When everything is visible and appears to be dumb, that's when the details take on larger meanings.

Sometimes it's a form of love just to talk to somebody that you have nothing in common with and still be fascinated by their presence.

Body odor is the window to the soul.

Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms.

Punk. . .was more a kind of do-it-yourself, anyone-can-do-it attitude. If you only played two notes on the guitar, you could figure out a way to make a song out of that, and that's what it was all about.

I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.

As music becomes less of a thing--a cylinder, a cassette, a disc--and more ephemeral, perhaps we will begin to assign an increasing value to live performances again.

Metal buildings are the dream that Modern Architects had at the beginning of this century. It has finally come true, but they themselves don't realize it. That's because it doesn't take an Architect to build a metal building. You just order them out of a catalog - comes with a bunch of guys who put it together in a couple of days, maybe a week. And there you go - you're all set to go into business - just slap a sign out front.

I've never had writer's block.

I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.

You can know or not know how a car runs and still enjoy riding in a car.

Cycling is a joy and faster than many other modes of transport, depending on the time of day. It clears the head.

The world isn't logical, it's a song.

To shake your rump is to be environmentally aware.

We've gone through the urban renewal cycle in the '60s and '70s that really did a lot of damage to the fabric of urban life - neighborhoods bulldozed and highways pushed through, and all that kind of stuff that really destroyed the kind of social underpinning and the kind of mom and pop stores and all the stuff that makes a community viable.

The arts don't exist in isolation.

I resent the implication that I'm less of a musician and a worse person for not appreciating certain works.

Science's job is to map our ignorance.

I've changed my music from time to time so I'm hoping that I can completely change my life from time to time, too. Like live in another land, in another place, and just get completely soaked up in another way of being. Could be in this country or another country, somewhere were you can be reborn a number of times not just creatively, but personally as well. I guess I want to go through life as more than one person.

There's an old joke that you know you're in heaven if the cooks are Italian and the engineering is German. If it's the other way around you're in hell.

Well, Marx is having a comeback. I hear him mentioned a lot in terms of the global financial situation and the general sense of injustice out there. A lot of economic experts in America refer to him without actually using the M word, but he's around.

I find rebellion packaged by a major corporation a little hard to take seriously.

Analysis is like a lobotomy. Who wants to have all their edges shaved off?

I love writing. I don't claim to be great at it. Occasionally I get a good sentence off. But I love the activity.

Ninety percent of all music is always crap, and when too many people decide they're going to have guitar bands, then ninety percent of them are going to be crap. It's just a given law.

In the future, women will have breasts all over. In the future, it will be a relief to find a place without culture. In the future, plates of food will have names and titles. In the future, we will all drive standing up. In the future, love will be taught on television and by listening to pop songs.

I'm afraid that reason will triumph and that the world will become a place where anyone who doesn't fit that will become unnecessary

So there's no guarantee if you like the music you will empathize with the culture and the people who made it. It doesn't necessarily happen. I think it can, but it doesn't necessarily happen. Which is kind of a shame.

Cycling can be lonely, but in a good way.

It's like 60 Minutes on acid.

Obviously, you go through a lot of emotional turmoil in a divorce.

With a lot of what we take to be true feelings, especially on pop records, we feel them because they're cleverly crafted. And because the words are written by somebody who knows how to craft words and draw on those things and convey those feelings. That doesn't mean they're dishonest. But it also doesn't mean that it's all just pure primitive emotion spilling out.

I don't like begging money from producers.

Software constraints are only confining if you use them for what they're intended to be used for.

We are like the birds. We adapt. We sing.

I always think the everyday is more relevant than anything too grand because we all have to deal with it.

I wave to the double-decker buses from my bike, but the passengers never wave back. Why? Am I not an attraction?

I try never to wear my own clothes, I pretend I'm someone else

I'm no Lance Armstrong, but I do use a bike to get from place to place in Manhattan, a little bit of Brooklyn.

I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.

I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'

Yeah, it's pretty hard not to be completely cynical these days.

I wanted to be a secret agent and an astronaut, preferably at the same time.

Book learning, or intelligence of one sort, doesn't guarantee you intelligence of another sort.You can behave just as stupidly with a good college education.

It's more about the stuff you think about when you're getting from place to place on a bicycle than it is about actually riding the bicycle.

Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.

To some extent I happily don't know what I'm doing. I feel that it's an artist's responsibility to trust that.

It's not music you would use to get a girl into bed. If anything, you're going to frighten her off.

By the time Talking Heads were starting, my feeling was to throw out everything and start from scratch onstage; strip it down to as close to zero as you can get and then you can make it yours.

There are plenty of people who are, I think, completely racist who love hip-hop.

I'm just an advertisement for a version of myself.

You create a community with music, not just at concerts but by talking about it with your friends.

I try to devote my afternoons to making music in my home studio, but it's a lot more fun hanging out with musicians and friends, and trying subtly to influence a band than making your own stuff.

When everything is worth money, then money is worth nothing.

I like a good story and I also like staring at the sea-- do I have to choose between the two?

With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.

My personal feeling is that human beings have this incredible capacity for denial.

Rich people will travel great distances to look at poor people.

My take is that the kind of complexity which says we can always generate complexity from simple interactions following for example rules.

I've noticed that when I am selling a lot of records, certain things become easier. I'm not talking about getting a table in a restaurant.

...if photos can reproduce the world more perfectly than any painter, can capture an instant, a look, a gesture, then what makes a painting good anymore? Painting subverts this subversion of its traditional nature by redefining itself - art is idea, not simply skillful execution. So, a work can be crudely made, or even machine made - but it has to be practically and functionally useless.

The very best [infographics] engender and facilitate an insight by visual means - allow us to grasp some relationship quickly and easily that otherwise would take many pages and illustrations and tables to convey. Insight seems to happen most often when data sets are crossed in the design of the piece - when we can quickly see the effects on something over time, for example, or view how factors like income, race, geography, or diet might affect other data. When that happens, there's an instant "Aha!".

My favorite term for a new kind of performance is "security theater." In this genre, we watch as ritualized inspections and patdowns create the illusion of security. It's a form that has become common since 9/11, and even the government agencies that participate in this activity acknowledge,off the record, that it is indeed a species of theater.

Crime is a job. Sex is a job. Growing up is a job. School is a job. Going to parties is a job. Religion is a job. Being creative is a job

The two biggest self-deceptions of all are that life has a 'meaning'and each of us is unique.

I sense the world might be more dreamlike, metaphorical, and poetic than we currently believe--but just as irrational as sympathetic magic when looked at in a typically scientific way. I wouldn't be surprised if poetry--poetry in the broadest sense, in the sense of a world filled with metaphor, rhyme, and recurring patterns, shapes, and designs--is how the world works. The world isn't logical, it's a song.

I can't tell one from the other:I find you or you find me?There was a time before we were born If someone asks, this is where I'll be.

Schools are for training people how to listen to other people.

There's still a feeling that uncensored emotions make a good song. They don't. Pure emotion is just somebody screaming at you, or crying. It doesn't communicate anything. It has to be mediated with some skill and craft, in order to communicate it to a second, a third, or a fourth person. That doesn't make it any less real. And it doesn't make it any less true. But it does mean that, yeah, it's the combination that makes it work.

Real beauty knocks you a little bit off kilter.

PowerPoint may not be of any use for you in a presentation, but it may liberate you in another way, an artistic way. Who knows.

Having unlimited choices can paralyze you creatively.

For years we have been taught not to like things. Finally somebody said it was OK to like things. This was a great relief. It was getting hard to go around not liking everything.

I try to write about small things. Paper, animals, a house... love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.

We're on a road to nowhere, come on inside. Takin' that ride to nowhere, we'll take that ride. I'm feelin' okay this mornin', and you know, we're on the road to paradise, here we go, here we go.

I'd like to be known for more than being the guy in the big suit.

What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open. For the most part at the moment we get less information for slightly less money - though we could be getting a lot more.

Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.

I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.

There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.

There was an op-ed piece in The New York Times by an evolutionary biologist or somebody - which was a curious place for the opinion to come from - and he said that there's no such thing as a completely free, uncensored medium, that people censor themselves all the time, in deference to hurting other people's feelings, or offending other groups, or in their own, not to provoke a fight. And you do self-censor certain things, and it's not necessarily a bad thing. That's just the way human social interaction works.