Caitlin thomas

Anyone who has attempted to create knows the hellishness of it, which consists in the final inescapability from it. Knows that anything, however deadly humdrum to drug the senses, is preferable to it. Knows the gigantic effort to get started on the boundless, unwieldy, shapeless material; the forest of hesitations; of what to keep and what to throw out; the running-out terror and reluctance in one of finishing.

money ... is only important when you have none; and though it may not be everything, it goes a very long way towards blocking up the winter draft of age.

But the true evil of drink lies in the disillusion: that the initial pleasure very soon evaporates, leaving a demoralizing craving for more, which is not even temporarily pleasurable. Which then leads to deterioration of the faculties of both body and mind; plus a bewildering lack of co-operation between the two.

Love can bear anything better than ridicule.

[On journalists:] They are the scavengers of society who, possessing no guts of their own, tear out the guts of celebrities. They have the sycophantic, false enthusing gush of maiden aunts: who are accustomed to being trampled on doormats.

[On journalists:] They are as disruptive a menace to the public body: as grating turds in the intestines are to the private body.

A lot of warm vulgarity is incomparably preferable to a little bit of pinched niceness

I don't trust sentimentality in men; it goes with tyranny; you can't have one without the other.

One should never go back to a place one has loved; for, however, rough the going forward is, it is better than the snuffing out-of-love return.

Jealousy is the lifelong noose hanging about the neck of love.

In America they make too much fuss of poets; in London they make too little.

anybody who drinks seriously is poor: so poor, poor, extra poor, me.

There is a brotherliness about a drinking person, which is coldly lacking in the straight and narrow enemies of drink; the difference between the two is more marked than nationality or belief: it is an opposite species altogether. It is against the unwritten laws of congeniality for them to mix. For me, a man who does not drink is distinctly indecent.

My bitterness is not an abstract substance, it is as solid as a Christmas cake; I can cut it in slices and hand it round and there is still plenty left, for tomorrow.

There is a great gulf between the really creative person and normal people. The totally creative person does not have the rest of his life in proper proportion.

resignation, perhaps the most stifling word in the language.

If happiness comes at all: which is by no means prearranged; it comes by the way, while you are seeking for something else. Something outside yourself, beyond yourself: in a brief absorption of self-forgetfulness.

Virtue in a man doesn't make you want to grab him.

I am unable, mentally incapable, of relating the dead thing, the broken body refusing to divulge why or where the occupant has gone, to the thing that was alive.

There is nothing harder for an Artist than to retain his Artistic integrity in the tomb of success. A tomb, nevertheless, which nearly every Artist: whether he admits it or not; naturally wants to get into.

The wretched Artist himself is alternatively the lowest worm that ever crawled when no fire is in him; or the loftiest God that ever sand when the fire is going.

Anybody who thinks there is any vague chance of adult exchange with a child is up the spout; and would be much less disappointed if they recognized the chasm unbridgeably dividing them.

[On journalists:] ... however lyingly libellous they may be: nobody can seriously hurt the reputation of a Great person. If he is hurt: he is not Great. They can but scratch at his skin with their mice nails.

There is, happily, no limit to the faith of human nature in believing what it wants to believe.

So it is useless to evade reality, because it only makes it more virulent in the end. But instead, look steadfastly into the slit, pin-pointed, malignant eyes of reality: as an old-hand trainer dominates his wild beasts. Take it by the scruff of the neck, and shake the evil intent out of it; till it rattles out harmlessly, like gall bladder stones, fossilized on the floor.

When the desire is on for one particular person, nobody else will do.

Fearful as reality is, it is less fearful than evasions of reality. Look steadfastly into the slit, pinpointed malignant eyes of reality as an old-hand trainer dominates his wild beasts.

there is this malign curse laid on dipsomaniacs. That they must absolutely have a drink: in order to feel strong enough to stop drinking.

But there is that about well-intentioned advice that has the opposite effect of the one intended, and causes a Spanish fly of perversity to enter into the hitherto passive soul.

Sex divorced from love is the thief of personal dignity.

none of what I know is out of books. ... I prefer tactual learning. Touching, on the quick of the sore nail, of present, mobile life. To toy, to gnaw, to tear: at the living element of pain. Like at a living drumstick.

... the mere thought of going near a man who is not mellowly pickled, and whose breath reeks of his native fleshy self, is squeamishly unpalatable to me.

England, where nobody ever says what they mean: and by denying feeling, kill it off stone-cold at the roots.

there is no gaiety as gay as the gaiety of grief.

Between threading a needle and raving insanity is the smallest eye in creation.

I had got to the dawn of the beautiful not caring, but fully aware, stage, which degenerates so imperceptibly into the doing something unpermissible stage.

Author details

Caitlin Thomas: Biography and Life Work

Caitlin Thomas was a notable Author. The story of Caitlin Thomas began on 8 December 1913 in Hammersmith, London, England. The legacy of Caitlin Thomas continues today, following their passing on 31 July 1994 in Catania, Sicily.

Caitlin Thomas was an author and the wife of the poet and writer Dylan Thomas . Their marriage was a stormy affair, fueled by alcohol and infidelity, though the couple remained together until Dylan's death in 1953. After his death, she wrote the book Leftover Life to Kill , an account of her self-exile to Italy. She paints a portrait of a grieving widow seeking solace in distance, a younger lover, and alcohol.

Legacy and Personal Influence

Personally, Caitlin Thomas was married to Giuseppe Fazio.

Philosophical Views and Reflections

Although Dylan tried to portray himself as a bohemian character, it was Caitlin who was the true rebel. Vera Philips, a childhood friend of Dylan from Swansea , recalled "Dylan had the proper Welsh background, ... He was brought up like me, worrying "What will the neighbours think?" Whereas Caitlin didn't care a bugger what anyone thought."

Caitlin Thomas died in Catania on 31 July 1994 following a long illness, aged 80. She was buried next to Dylan in Laugharne, though the burial request came as a surprise to her family, with her daughter believing that she would have preferred to have been buried in Italy after spending so much of her later life there.

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