Antony sher quotes

I was never built to play the hero. Physically or emotionally... And they're not as rewarding to play. At least for me.

Reading Shakespeare is sometimes like looking through a window into a dark room. You don't see in. You see nothing but a reflection of yourself unable to see in. An unflattering image of yourself blind.

I love playing outsiders, I always do.

I'm always very proud of belonging to three minorities: gay, Jewish, white South African.

I've been quoting the book [on Peter Sutcliffe] constantly in rehearsals. Some members of the cast have stated their disapproval that it should even have been written. Some of the women have expressed more - disgust and anger. What are they saying? They'd prefer not to know, not to understand? They'd prefer certain areas of life to be censored? Isn't that partly what breeds the Sutcliffes and the Nilsens?

A lot of good actors tend to be quite introverted as people.

If I could write a letter to my teenage self I'd probably say something like: "You ain't gonna believe what will become of you."

I feel so sorry for younger actors who aren't able to have the opportunities that I had, starting out in repertory theatre. It's really tough on young actors now.

As a gay Jewish white South African, I belong to quite a lot of minority groups. You constantly have to question who you are, what you are and whether you have the courage to be who you are.

Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.

Life is just more comfortable if you're honest and open about everything. I spent so many years being in the closet about one thing or another.

The whole of my acting career is a bit of a mystery to me.

Why is an actor's unintentional giggling called a 'corpse'? It seems to me quite the opposite. It proves that he's very much alive, and can still tell how silly this all is: him dressed up as someone else speaking words written by a third party.

It's good for actors to confront those things we have to act: panic, pain and death.

Every play I do, every book I write, every painting I paint, I will struggle with. I don't know what it's like for a project to come easy.

I can feel the power of the words doing the work. Must trust language more.

My grandparents all came from Lithuania to South Africa. My first novel, Middlepost, is a fictional account of that journey.

When I'm painting and drawing I only do people. Acting is obviously portraiture - and writing is as well.

I have a Woody Allen Jewish attitude to life: that it's all going to be disastrous. That it hasn't all been that way is simply down to some random quirk of fate.

The effort of learning. It's the same when you approach any new skill or technique, from a dance step to driving a car. The effort of learning stops you, at first, from doing it well.

As we're leaving the King's Arms Hotel after Sunday lunch, I watch a beautiful white dove walking down the wet road. A car approaches and the bird accidentally turns into the wheel rather than away from it. A gentle crunch. The car passes. A shape like a discarded napkin left in the road. Still perfectly white, no red stains, but bearing no relation anymore to the shape of a bird. A trail of white feathers flutter down the road after the car. The suddeness is very upsetting. That gentle crunch.

Now the dressing-room full of RSC hierarchy. Suddenly Trevor Nunn pushes his way through and 'Trevs' me. I've heard a lot about this 'Trevving', but never had it done to me. From what I'd heard, a 'Trev' is an arm round your shoulder and a sideways squeeze. But this 'Trev' is a full frontal hug, so complete and so intimate that the dressing-room instantly clears, as if by suction. I'm left alone in the arms of this famous man wondering whether it's polite to let go.

I love the mixture that's in me. It makes me me. And that's why it's such a shame that people waste energy in denying who they are.

We've all got darkness inside us. And I've got quite a lot of darkness.

I don't believe in an afterlife.

I was a weak kid, not good at what all the boys at school were good at and I found that by acting, by being other people, I could liberate myself from those inadequacies.

I'm a huge fan of David Hockney. I love the way he keeps reinventing himself.

I'm a complete technophobe. I can't even email.

What drew me to acting in the first place was disguise.

I believe deeply in therapy. There's no one in the world who wouldn't benefit from it.