Ananda coomaraswamy

It is only when the maker of things is a maker of things by vocation, and not merely holding down a job, that the price of things is approximate to their real value. . . .

No creature can attain a higher grade of nature without ceasing to exist.

The artist is not a special kind of man, but every man is a special kind of artist.

Man's activity consists in either a making or doing. Both of these aspects of the active life depend for their correction upon the contemplative life (that is, the Hero).

Industry without art is brutality.

Beauty is the attractive power of perfection.

Becoming is not a contradiction of being but the epiphany of being.

Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.

The most awkward means are adequate to the communication of authentic experience, and the finest words no compensation for lack of it. It is for this reason that we are moved by the true Primitives and that the most accomplished art craftsmanship leaves us cold.

The man incapable of contemplation cannot be an artist, but only a skillful workman.

The vocation, whether it be that of the farmer or the architect, is a function; the exercise of this function as regards the man himself is the most indispensable means of spiritual development, and as regards his relation to society the measure of his worth.

It is the natural instinct of a child to work from within outwards; "First I think, and then I draw my think." What wasted efforts we make to teach the child to stop thinking, and only to observe!

All that is best for us comes of itself into our hands-but if we strive to overtake it, it perpetually eludes us.

Myth embodies the nearest approach to absolute truth that can be stated in words.

From one point of view becoming is a humiliation, and from another a royal procession.

We have come to think of art and work as incompatible, or at least independent categories and have for the first time in history created an industry without art.

What I have sought is to understand what has been said.

Author details

Ananda Coomaraswamy: Biography and Life Work

Ananda Coomaraswamy was a notable Ceylonese metaphysician. The story of Ananda Coomaraswamy began on 22 August 1877 in Colombo, British Ceylon. The legacy of Ananda Coomaraswamy continues today, following their passing on 9 September 1947 in Needham, Massachusetts, U.S..

Ananda Kentish Muthu Coomaraswamy ( Tamil : ஆனந்த குமாரசுவாமி , Āṉanta Kumāracuvāmi ; Sinhala : ආනන්ද කුමාරස්වාමි Ānanda Kumārasvāmī ; 22 August 1877 − 9 September 1947) was a Ceylonese metaphysician , historian and a philosopher of Indian art who was an early interpreter of Indian culture to the West. He has been described as "the groundbreaking theorist who was largely responsible for introducing ancient Indian art to the West".

Legacy and Personal Influence

Personally, Ananda Coomaraswamy was married to Ethel Mairet, Ratna Devi, Stella Bloch, Luisa Runstein.

Philosophical Views and Reflections

Like Franz Boas and a handful of others, Coomaraswamy waged a constant war against racism with the press and academic world. He was a strong advocate for Indian independence and was pressured to leave England for publicly suggesting that Indians not fight in the First World War.

For a complete bibliography, see James S. Crouch, A Bibliography of Ananda Kentish Coomarswamy . Indira Gandhi National Center for the Arts , Manohar, New Delhi, (2002). Corrigenda to the above volume see at Corrigenda to A Bibliography of Ananda Kentish Coomaraswamy .

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