Alphonse karr

If women only knew the extent of their power!

One expresses well only the love he does not feel.

The more it changes, the more it's the same thing.

Love in marriage should be the accomplishment of a beautiful dream, and not, as it too often is, the end.

A widow is like a frigate of which the first captain has been shipwrecked.

Happiness is composed of misfortunes avoided.

If we are to abolish the death penalty, I should like to see the first step taken by our friends the murderers.

Avoid all haste; calmness is an essential ingredient of politeness.

Display is like shallow water, where you can see the muddy bottom.

If there is a fruit that can be eaten raw, it is beauty.

Botany is the art of insulting flowers in Greek and Latin.

Dress is the great business of all women, and the fixed idea of some.

I gather from a lawyer that there was a rehearsal yesterday. We haven't a hope. I know the presiding judge too: I've had the misfortune to sleep with his wife. He was specially picked.

The more the change, the more it is the same thing.

Friendship between two women is always a plot against another one.

All people have three characters, that which they exhibit, that which they have, and that which they think they have.

Uncertainty is the worst of all evils until the moment when reality makes us regret uncertainty.

Almost every one flatters himself that he and his are exceptionable.

Many people think that virtue consists of severity towards others.

Women's glances express what they dare not speak.

If men knew all that women think, they would be twenty times more audacious.

I am thankful that thorns have roses.

The more things change, the more they stay the same.

Some people are always grumbling because roses have thorns; I am thankful that thorns have roses.

Though we have two eyes, we are supplied with but one tongue. Draw your own moral.

Love is the most terrible, and also the most generous of the passions; it is the only one which includes in its dreams the happiness of someone else.

We can invent only with memory.

Let us try to see things from their better side: You complain about seeing thorny rose bushes; Me, I rejoice and give thanks to the gods That thorns have roses.

A woman who writes commits two sins; she increases the number of books, and decreases the number of women.

Every man has three characters: that which he shows, that which he has, and that which he thinks he has.

Flowing water is at once a picture and a music, which causes to flow at the same time from my brain, like a limpid and murmuring rivulet, sweet thoughts, charming reveries, and melancholy remembrances.

Author details

Jean-Baptiste Alphonse Karr: Biography and Life Work

Jean-Baptiste Alphonse Karr was a notable Critic. The story of Jean-Baptiste Alphonse Karr began on 24 November 1808 in Paris, French Empire. The legacy of Jean-Baptiste Alphonse Karr continues today, following their passing on 29 September 1890 in Saint-Raphaël, France.

Karr was born in Paris to German pianist and composer Henri Karr (1784–1842), and after being educated at the Collège Bourbon , became a teacher there. Some of his novels, including his first, Sous les Tilleuls (1832), were autobiographical romances. A second novel, Une heure trop tard , followed next year, and was succeeded by many other popular works. His Vendredi soir (1835) and Le Chemin le plus court (1836) continued the vein of autobiographical romance with which he had made his first success. Geneviève (1838) is one of his best stories, and his Voyage autour de Mon Jardin (1845) was deservedly popular. Others were Feu Bressier (1848), and Fort en thème (1853), which had some influence in stimulating educational reform.

Legacy and Personal Influence

Personally, Jean-Baptiste Alphonse Karr was married to Clémentine Renard de Mentule (divorced).

Philosophical Views and Reflections

In 1839, Karr became editor of Le Figaro , to which he had been a constant contributor; and he also started a monthly journal, Les Guêpes ( The Wasps ), of a keenly satirical tone, a publication which brought him the reputation of someone of "imperishable words" and biting wit. The first volumes of the journal, or magazine, were published from 1839-43. Karr attempted to revive the publication of Les Guêpes from 1852–55, an undertaking doomed to failure given the conditions of state censorship (under the regime of Napoleon III ).

Karr is one of the French artists and writers caricatured by Benjamin Roubaud in his drawing Grand Chemin de la Postérité . Karr's head is drawn on the body of a wasp (alluding to Les Guêpes ) and annotated "KARicature" (sic).

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Inspire · Reflect · Repeat