Alexander mccall smith quotes
Explore a curated collection of Alexander mccall smith's most famous quotes. Dive into timeless reflections that offer deep insights into life, love, and the human experience through his profound words.
The previously unloved may find it hard to believe that they are now loved; that is such a miracle, they feel; such a miracle.
I write four books a year. I'm very fortunate that I write quickly; around 3,500 words a day. Being strict about delineating my writing time and personal life, as well as keeping distractions at bay, is the only way I can accomplish this.
We are all tempted, Mma. We are all tempted when it comes to cake.
If your ceiling should fall down, then you have lost a room, but gained a courtyard. Think of it that way.
The Culture of Complaint... We live in a culture of complaint because everyone is always looking for things to complain about. It's all tied in with the desire to blame others for misfortunes and to get some form of compensation into the bargain.
I am often thanked by people for inventing the term traditionally built. The people who give me thanks for this are often traditionally built themselves.
Every novel presents a slice of life. A noir policier for example presents one slice, one that perhaps addresses social dysfunction or some sort of pathology, while mine present a slice that is more upbeat and affirmative.
Manners are the basic building blocks of civil society.
Some of my characters are a mixture of various aspects of people I have met. others are pure invention.
Talking about pumpkins doesn't make them grow.
I can read more languages than I speak! I speak French and Italian - not very well, alas, but I can get by. I read German and Spanish. I can read Latin (I did a lot of Latin at school.) I'm afraid I do not speak any African languages, although I can understand a little bit of the Zulu-related languages, but only a tiny bit.
It's a different sort of love taht puts up with illness. Old love.
But you cannot expect every writer to dwell on human suffering. I think my books do deal with grave issues. People who say they are too positive probably havent read them.
I am capable of being idle.
Do not take on a traditionally built person unless you are prepared for a heavyweight bout.
There was a distinction between lying and telling half-truths, but it was a very narrow one.
My parents were very supportive and always encouraged us. My father was a gentle, nice man. My mother was quite a colourful character and a keen reader who encouraged me to write.
We need to believe I think in justice. We need to run our lives as if justice existed... If we abandon a belief that justice will eventually be done, we make this world much more difficult for ourselves.
Writers obviously have to bear witness to the harsh face of the age.
Life consists of positive and negative features, and I think that it is permissible to write about both.
There are old mycologists and there are bold mycologists, but there are no old, bold mycologists.
Edinburgh used to be a haughty city.
There are many women whose lives would be immeasurably improved by widowhood, but one should not always point that out.
Everything has been something before.
Any author of fiction will tell you that characters don't need to be told what to do.
Do you realise that people die of boredom in London suburbs? It's the second biggest cause of death amongs the English in general. Sheer boredom...
None of us knows how we will cope with snakes until the moment arises, and then most of us find out that we do not do it very well.
Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe – the only lady private detective in Botswana – brewed redbush tea. And three mugs – one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.
We think the world is ours forever, but we are little more than squatters.
I just focus on getting the first scene right, with a few lines about the overall plot, and then the book grows organically.
Simple questions--and simple answers--were what we needed in life. That was what Mma Ramotswe believed. Yes.
It was the same with friendship. Disagreement between friends and spouses, too had to be carefully handled. If the time you spent with friends was consumed by disagreement, then there was no room for the essence of friendship, which was a sharing of the world. And that sharing involved seeing things the same way, or at least seeing things through the eyes of the friend.
I think that we've made great moral progress in the second half of the 20th century in many respects, and particularly in relation to human rights but I think that we are losing sight of some of the values of concern for others, and self-respect and respect for others.
Dating is really all about sex. In the conventional context, this means that the man invites the woman to go through a social encounter, the ultimate purpose of which is sexual engagement.
To lose a child ... was something that could end one's world. One could never get back to how it was before. The stars went out. The moon disappeared. The birds became silent.
Gracious acceptance is an art - an art which most never bother to cultivate. We think that we have to learn how to give, but we forget about accepting things, which can be much harder than giving.... Accepting another person's gift is allowing him to express his feelings for you.
They're very beautiful, aren't they? Clouds are very beautiful and yet so often we fail to appreciate them properly. We should do that. We should look at them and think about how lucky we are to have them.
At night we are all strangers, even to ourselves.
There is room in history for all of us.
It seems to me that we're in danger of losing sight of certain basic civic values in society by allowing the growth of a whole generation of people who really have no sense of attachment to society.
A wedding was a strange ceremony, she thought, with all those formal words, those solemn vows made by one to another; whereas the real question that should be put to the two people involved was a very simple one. Are you happy with each other? was the only question that should be asked; to which they both should reply, preferably in unison, Yes.
She was made for untidy rooms and rumpled beds.
As a writer I've learned certain lessons. One of them is to be careful about how you put a view, and to bear in mind how easily and readily you'll be misinterpreted.
We should be careful of the insults we fling at others, lest they return and land at our feet, newly minted to apply to those who had first coined them.
When you allow people to do what they wish, then that is what they do. They stop doing the things they need to do.
[Edinburgh] is a city of shifting light, of changing skies, of sudden vistas. A city so beautiful it breaks the heart again and again.
I have always taken the view that one should never hold against a man anything he says after twelve o'clock at night or after a glass or two of anything.
A very powerful theme in fiction is that of loss.
I have three older sisters, so we were a reasonably large family and, in general, a happy one.
We don't forget.... Our heads may be small, but they are as full of memories as the sky may sometimes be full of swarming bees, thousands and thousands of memories, of smells, of places, of little things that happened to us and which came back, unexpectedly, to remind us who we are.
New York is a wonderful place to be up, an awful place to be down.
You can go through life and make new friends every year - every month practically - but there was never any substitute for those friendships of childhood that survive into adult years. Those are the ones in which we are bound to one another with hoops of steel.
Small things may be important to us; to be a sometime anything is sometimes something.
Everybody has friends they dislike; people who they have slipped into relationships with, people they would not have chosen had they been more cautious, more circumspect.
As a writer, I have readers who will have a range of political views. I don't think they look to me for political guidance.
Old friends, like old shoes, are comfortable. But old shoes, unlike old friends, tend not to be supportive: it is easier to stumble and sprain an ankle while wearing a pair of old shoes than it is in new shoes, with their less yielding leather.
Daughters could survive a powerful mother, but boys found it almost impossible. Such boys were often severely damaged and spent the rest of their lives running away from their mothers, or from anybody who remotely reminded them of their mothers; either that, or they became their mothers, in a desperate, misguided act of psychological self defence.
It was time to take the pumpkin out of the pot and eat it. In the final analysis, that was what solved these big problems of life. You could think and think and get nowhere, but you still had to eat your pumpkin. That brought you down to earth. That gave you a reason for going on. Pumpkin.
If you want to write, do two things - read lots of books and also, in your own writing, practise. Just write and write and then write again. persist. And never be put off or discouraged. You can do it!
I write four or five a books a year. That means that I usually have one on the go. I am fortunate in being able to write quickly - 1000 words an hour.
That my philosophy of life is, as far as possible, one of enjoyment. I'm not nihilistic.
Any extreme political creed brought only darkness in the long run; it lit up nothing. The best politics were those of caution, tolerance and moderation, Angus maintained, but such politics were, alas, also very dull, and certainly moved nobody to poetry.
Many of my books are written from a female perspective. I rather enjoy the take that women have on the world, and certainly I enjoy the conversations that women have.
And that, in a way, was the burden of being a philosopher: one knew what one had to do, but it was so often the opposite of what one really wanted to do.
The telling of a story, like virtually everything in this life, was always made all the easier by a cup of tea.
There is plenty of work for love to do.
It is sometimes easier to be happy if you don't know everything.
I've also long since realized that the way to really engage children is to give out prizes; it's amazing how it concentrates their minds.
A life without stories would be no life at all. And stories bound us, did they not, one to another, the living to the dead, people to animals, people to the land?
The Okavango Delta is an astonishing sight: the great Okavango River, rather than flow towards the sea, flows inland, into the sands of the Kalahari.
Botswana is actually very peaceful. It's democratic. It never was in debt. They've been fortunate, they've had diamonds.
Most people want nothing to happen. That is the problem with governments these days. They want to do things all the time; they are always very busy thinking of what things they can do next. That is not what people want. People want to be left alone to look after their cattle.
Painters aren't expected to paint bleak pictures, are they?
Dogs are in on our human silliness; lions are not.
We all know that it is women who take the decisions, but we have to let men think that the decisions are theirs. It is an act of kindness on the part of women.
Who can't like pigs? They're wonderful creatures! I've always liked pigs.
One of the most destructive things that's happening in modern society is that we are losing our sense of the bonds that bind people together - which can lead to nightmares of social collapse.
It is not enough just to identify a problem; there are plenty of people who were very skilled at pointing out what was wrong with the world, but they were not always so adept at working out how these things could be righted.
Well, Id say all of us are a combination of moods and emotions. In my day to day life I dont go around skipping, but at times one can feel sheer exhilarating joy at the world.
The people with the strong, brave exteriors are just as weak and vulnerable as the rest of us. And of course they never admit to their childish practices, their moments of weakness or absurdity, and then the rest of us think that's how it should be.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; weve become the most famous bad orchestra in the world.
It was easy to be moral when that was the way you felt anyway. The hard bit about morality was making yourself feel the opposite of what you really felt.
Every small wrong, every minor act of cruelty, every act of petty bullying was symbolic of a greater wrong. And if we ignored these small things, then did it not blunt our outrage over the larger wrongs?
It would be wonderful to have a guru; it would be like having a social worker or a personal trainer, not that people who had either of these necessarily appreciated the advice they received.
How many of us are happy to be exactly where we are at any moment?...only the completely happy think that they are in the correct place.
Regular maps have few surprises: their contour lines reveal where the Andes are, and are reasonably clear. More precious, though, are the unpublished maps we make ourselves, of our city, our place, our daily world, our life; those maps of our private world we use every day; here I was happy, in that place I left my coat behind after a party, that is where I met my love; I cried there once, I was heartsore; but felt better round the corner..., things of that sort, our personal memories, that make the private tapestry of our lives.
International business, once allowed to stalk uncontrolled, killed the local, the small, the quirky.
If you lose sight of the smaller accomplishments , you end up with an imbalance in your life.
I've always had a creative urge and I get immense satisfaction from creating something because it feels like I'm making sense of the world and imposing order on it.
I would certainly never consider myself a Renaissance Man; I'm not fit to look at the dust from the chariot wheels of many of those who have gone before me.
I enjoy women's conversation, and I think that helps me to describe them in fiction.
It's through the small things that we develop our moral imagination, so that we can understand the sufferings of others.
It is the search for beauty...That is what it is. We find ourselves on this earth--gods and men--and we know that it is beautiful. That is one of the few things we understand--beauty; because it is there, in the world, and we can see it all about us. We want beauty. It requires our love. It just does.
As a writer, you have to realize that people want to like the characters, so you have to be careful to keep them involved.
The good were worthy of note because they battled and that battle was a great story, whereas the evil were evil because of moral laziness, or weakness, and that was ultimately a dull and uninteresting affair.
I am easily persuaded to continue to have fun.
Oh I love gadgets and I pride myself on keeping at the cutting edge of technology.
Whatever Scotland was, it was not a matriarchy; whereas the United States was a profoundly matriarchal society - and much more feminine than would be suggested by all that male bravado. That was a front, and a misleading one at that; underneath the male swagger lay a passive acceptance of female dominance - a fact not always appreciated by outsiders.
Our minds can come up with the most entertaining possibilities, if we let them. But most of the time, we keep them under far too close a check.
When we love others, we naturally want to talk about them, we want to show them off, like emotional trophies. We invest them with a power to do to others what they do to us; a vain hope, as the lovers of others are rarely of much interest to us. But we listen in patience, as friends must, and as Isabel now did, refraining from comment, other than to encourage the release of the story and the attendant confession of human frailty and hope.
That of all people, it should be him; that took her aback. That the heart should settle on somebody like him; that surprised her. But she was so certain about it, so certain.
This is another thing which I really like investigating in my novels: what is it that makes an intimate society, that makes a society in which moral concern for others will be possible? Part of that I think are manners and ritual. We tried to get rid of manners, we tried to abolish manners in the '60s. Manners were very, very old-fashioned and un-cool. And of course we didn't realise that manners are the building blocks of proper moral relationships between people.
But we make such mistakes all the time, all through our lives. Wisdom, I suppose, is seeing this and acting upon it before it is too late. But it is often too late, isn't it? - and those things that we should have said are unsaid, and remain unsaid for ever.
The point about love, the essential point, was that we loved what we loved. We did not choose. We just loved.
I'm interested in character and dialogue and exchange of ideas.
I see no point in being despondent. We might as well enjoy ourselves during our brief tenure of this life.
Ritual is a terribly important, binding cement in a society. If we abandon formality and rituals, we're actually weakening the relationships that exist between people that bind.
I cannot see myself in a new car. I am a tiny white van person. That is what i want!
I'm very interested in tea. I wouldn't mind being involved in some aspect of the tea industry.
But don't we often lie to people we love, or not tell them things, precisely because we love them?
Lou knew that joy unshared was a halved emotion, just as sadness and loss, when borne alone, were often doubled.
The problem, of course, was that people did not seem to understand the difference between right and wrong. They needed to be reminded about this, because if you left it to them to work out for themselves, they would never bother. They would just find out what was best for them, and then they would call that the right thing. That's how most people thought.
Self-pity does not appreciate pedantry.
And how we become like our parents! How their scorned advice - based, we felt in our superiority, on prejudices and muddled folk wisdom - how their opinions are subsequently borne out by our own discoveries and sense of the world, one after one. And as this happens, we realise with increasing horror that proposition which we would never have entertained before: our mothers were right!
Reality television, which turned its eye on people who were doing nothing but being themselves, was the perfect expression of this trend [of narcissism]. Let's look at ourselves, it said. Aren't we fascinating?
I am just a tiny person in Africa, but there is a place for me, and for everybody, to sit down on this earth and touch it and call it their own.
Be content with who you are and where you are, and do whatever you can do to bring to others such contentment, and joy, and understanding that you have managed to find yourself.
Antonia was very conscious of the corrosive power of envy and felt that it was this emotion, more than any other, which lay behind human unhappiness. People did not realize how widespread envy was.
Each of us is born into our own mysteries but the mystery of another might just take us in and embrace us. And then what a sense of homecoming, of belonging!