Alejandro zambra

For me, writing is a way of finding out about things I didn't know before I began writing.

The stories on standardized tests don't have one author, therefore they can never authentically be in the first person. Imagine that! Everywhere, there are these tests that have been written by multiple people.

You're looking for something, I don't know what I'm looking for, but I'm looking. Writing is a lot about that. When you write a poem. When you write a novel.

When you read a novel, you know what to expect because you've been reading novels for a long time.

The ways in which a standardized language test induces storytelling, for example, is the opposite of creative writing; you have to learn a logical way to start a story, whereas in creative writing you may begin at the end or begin at the middle of the story.

Literature is about getting in touch. It sounds so hippie, but it really is about sharing stuff. We are a community that doesn't seem to be important for the rest of society, but we are people who want to get in touch - really in touch. We want to be thinking together.

Everything has been said and everything has been done, but you still feel like you are looking for something.

As a child, all you see is that adults are not playing. Adults are not talking too much. Adults don't want to relate to each other.

I remember thinking, without pride of self-pity, that I was not rich or poor, that I wasn't good or bad. But that was difficult: to be neither good nor bad. It seemed to me, in the end, the same as being bad.

We rely too much on the people we share our lives with. We hold them responsible for things they are not even aware of. We start blaming them.

I knew little, but at least I knew that: no one could speak for someone else. That although we might want to tell other people's stories, we always end up telling our own.

I've been writing most of my life; it's just something I do.

Every story, every poem, every written piece is about belonging. There is a me, there is a we, there is an us, and we want to belong to it or we don't want to belong. You can read every story with this as its main focus.

To read is to cover one's face. And to write is to show it.

If you write, and you are really alone (writing is a lonely thing), you learn to be alone without suffering. When you read, you also learn to do this. When you write, you deal with things.

I was going to be a memory when I grew up.

I think about Chilean literature as a family, because I grew up reading the literature of my country. I feel like I have fathers and stepfathers and a lot of brothers and sisters and distant cousins and all that.

You are told that you have to eliminate un-useful sentences, but as a writer you know how important details are.

Publishing my book is like giving it away. At first you start talking about it, but you are basically letting go. I won't say it's like giving birth because I haven't given birth. It's more like when your children leave home.

I don't have any doubts that I need writing. I need it personally because this is the way I think.

I was a nerdy kid and I was writing and showing other fellows who are still my friends what I was writing. We were sharing that and kept sharing it. The experiences they had were so different than mine.

You can say that literature is about topics like love, death, and all that, but I think there is only one topic that applies to all literature and that is belonging.

I am still trying to find out things. And I inevitably tell myself the story in different ways every time I think about it.

Author details

Alejandro Zambra: Biography and Life Work

Alejandro Zambra was a notable Writer. The story of Alejandro Zambra began on September 24, 1975 in Santiago, Chile.

Alejandro Andrés Zambra Infantas ( Santiago, Chile , born September 24, 1975) is a Chilean poet, short-story writer and novelist. He has been recognized for his talent as a young Latin American writer, chosen in 2007 as one of the " Bogotá39 " (the best Latin American writers under the age of 39) and in 2010 by Granta as one of the best Spanish-language writers under the age of 35.

Legacy and Personal Influence

Personally, Alejandro Zambra was married to Jazmina Barrera.

Philosophical Views and Reflections

Zambra describes the beginning of his writing career by saying: "I wouldn't choose to be a writer. Actually I don't think I ever chose it, I was just undeniably worse at other things." Zambra began with writing poetry, citing influences such as Nicanor Parra , Jorge Teillier , Gonzalo Millán , and Enrique Lihn , and his brief novels are noted for their poetic natures. He is often noted for his successful use of metafiction, or writing about writing, in his novels. Short stories and articles by Zambra have been featured in magazines such as The New Yorker , The Paris Review , Mc Sweeney's Quarterly Concern , Babelia, and Quimera . Zambra also has worked as a literary critic for the newspaper La Tercera and as a professor at the School of Literature at Diego Portales University in Santiago.

His 2013 novel Ways of Going Home is fictional but draws heavily on Zambra's childhood experience under the Pinochet dictatorship. The novel switches between the memory of a nine-year-old boy growing up during a restrictive dictatorship and the life of the narrator who is writing the story, an example of meta-writing, or writing about writing. "This small novel contains a surprising vastness, created by its structure of alternating chapters of fiction and reality," Adam Thirlwell writes in The New York Times . "Almost every miniature event or conversation is subject to a process of revision, until you realize that Zambra is staging not just a single story of life under political repression, but the conditions for telling any story at all."

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Empery Quotes
Inspire · Reflect · Repeat