Albert brooks quotes

Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.

Acceptance is going to a restaurant where the salad's not great, but the steak is fine.

Don't worry, and don't kick yourself forever. Just take the opportunities when they come.

Your spouse should be just attractive enough to turn you on. Anything more is trouble.

I don't know that I can define fear. But one of the sources of fear is holding up some sort of model life that doesn't exist and feeling like you're far away from it.

I don't want to get close to people who have secrets that I don't know about.

My mother was supportive without knowing it. Deep down she wanted all the right things, she just didn't see the world like I did, and she's not supposed to.

I'm not Elvis. I don't get chased by paparazzi.

Even though my father was a radio comedian, it wasn't cool to say, at a young age, 'I want to be a comedian.'

I have children. I have a family to support. But I really could live in a one-room apartment, as long as the television worked. I never needed anything. Just a comfortable chair and I'm fine.

I've always been the king of silence. I've always been a minimalist comedian. I've taken my influence from Jack Benny, who was the king of that I've always done 'less is more.'

One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.

If we had 3 million exhibitionists and only one voyeur, nobody could make any money.

I like movies about failing.

Art and resistance are great together. That's what art's made for. Look at Vincent van Gogh: He didn't cut off his ear because he was selling well.

I got so good at writing to a budget, my brain was restricting myself. I'd write, "It's a stormy night." Then I'd cross out stormy. I'd write: "It's a calm night." Then I'd cross out night. It's noon. Because you know how much night costs. You know how much rain costs. Nothing comes free in movies.

Being a screenwriter in Hollywood is like being a eunuch at an orgy. Worse, actually, at least the eunuch is allowed to watch.

Film is the cheapest part of the movie making process. The expense is the 100-man crew and the financing and everything.

When I was younger, I wasn't concentrating on good days. I was managing a career and trying to have a good year. It would always 'lead' to something, which never leads to anything except death, where everything leads to. And then as I got older, and then I had my kids and everything, I began to appreciate a great Wednesday.

Bullfights are hugely popular because you can sit comfortably with a hot dog and possibly watch a man die. It wont be me, but I can sit comfortably and watch it.

I'm not interesting enough on my own that you'd want to see a film about me.

It's better to be known by six people for something you're proud of than to be known by sixty million for something you're not.

I've always been in the middle of making my own movies, so taking acting jobs that take me away from that has been impossible.

When I audition, I understand what it takes and the insecurities that come with it. If I do anything, I put actors at ease. I used to tell directors who weren't actors, the best thing they could do was take an acting class for a couple of months. Just to understand.

When I went to acting school, the kids that got the best grades were the kids that could cry on cue. But it didn't really translate into careers for any of them, because the external is the easy part.

Movies are an expensive business.

If you want to be a writer, just write. There's no magic to it.

Steven Spielberg seems to have wanted to be a director from 13. He put his dog in a certain position and made him eat at four o'clock. He liked to direct it. But, to me, directing is tedious. Especially if you're acting in it. And I'm inherently lazy.

You always got to be happy when somebody likes what you do. It's stupid not to be happy.

So I think if you're happy with your brain, you're powerful.

I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.

Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.

I was in Kashmir last weekend. Went to visit one of my sweaters.

I've seen the future! It's a bald-headed man from New York!

For the most part, improvising while cameras are rolling is very difficult. 99% of people you should never ask to do that, because they're under pressure, the clock is running, 80 people are staring at you...it's always unnatural.

In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?

'Drive' came to me because the casting director knew my manager and called and said, 'You've always talked to me about Albert wanting to play the heavy. I think he should read this.' My ears just perked up.

Nothing surprises me. After Donald Trump, nothing matters, does it?

You can equate acting to a tennis game: When you're playing one of the best, you get better.

How many people didn't get a part who would have been better than the person who got the part? Thousands.

There's nothing funny about flying to Houston.

What do you think the Devil is going to look like if he's around? Nobody is going to be taken in if he has a long, red, pointy tail. No. I'm semi-serious here. He will look attractive and he will be nice and helpful and he will get a job where he influences a great God-fearing nation and he will never do an evil thing... he will just bit by little bit lower standards where they are important. Just coax along flash over substance... Just a tiny bit. And he will talk about all of us really being salesmen. And he'll get all the great women.

If you paint, write, do mosaics, knit - if it's solving that part of your brain saying, 'I need to do this,' you've won.

What's interesting about books that take place in the future, even twenty years in the future, is that many of them are black or white: It's either a utopia or it's misery. The real truth is that there's going to be both things in any future, just like there is now.

I come from the place where I am thinking 'I have put my blood on the pages.'

Nobody will leave any place unless they're forced out. That's the nature of humans. Once you're there, you're there. I've never seen anybody get up voluntarily and leave any place.

My friend Harry Nilsson used to say the definition of an artist was someone who rode way ahead of the herd and was sort of the lookout. Now you don't have to be that, to be an artist. You can be right smack-dab in the middle of the herd. If you are, you'll be the richest.

When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.

I cast unusual people in my movies.

There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.

You never do a movie and not want it to work. You accept whatever it is. You have to, but nobody in their right mind would not want the movie to be getting talked about at the end of the year.

Donald Trump announces this morning that he will run for president. His hair will announce on Friday.

I think anger and laughter are very close to each other, when you think about it.

I'm a big consumer of news and I have my six newspaper sites booked. And what I like bout Twitter is it's almost, it allows me to make a comment about something that's just on my mind.

Fear is like a giant fog. It sits on your brain and blocks everything - real feelings, true happiness, real joy. They can't get through that fog. But you lift it, and buddy, you're in for the ride of your life.

I never wanted to be a director.

I've done performances in movies that I was immensely proud of and the movies didn't take off like a rocket at Cape Canaveral, it didn't take off.

It's interesting when you're part of a group - the Jews, to be exact - that the world has had such problems with.

What naturally stops you making the film is there is no more money in the budget. That's really what it is. If you had an unlimited budget, if you were a billionaire and you financed your own movies, then you can either date, because you can sit in an editing room for six years, like Howard Hughes, and never finish anything.

You make friends with older people and you always feel young no matter what.

I don't want to be the one to break it to you, but the future ain't that funny.

I just like making people laugh, and buried in that I like to bring up topics and start discussions.

I've been to many funerals of funny people, and they're some of the funniest days you'll ever have, because the emotions run high.

I've always felt like I work in a small little area that doesn't represent anything like the rest of society.

You know, I became a director out of necessity. I was writing comedies, and I couldn't find anybody to deliver it correctly.

I've never been disappointed, because I've never given somebody I liked that much power.

In my screenplays - from the very beginning I've always used tape. I talk my screenplays. And then have somebody transcribe them.

I take anything other than 'you big pig!' as a compliment.

The whole world is tense. Everybody gets the international news. Theres been no American comedy at all that even remotely addresses the subject in any way. My goal isnt to solve the worlds problems. My character wasnt even able to do his assignment. But the premise of wanting to find out about somebody -- other than the stuff that the CIA will tell you -- theres no hope unless we do that.

As an actor, if you're just sitting and staring and you don't know who you are in your own mind, it's vacant. And sometimes the camera is an X-ray machine, it can pick it up.

Someone asked me "what do you think of Donald Trump?" And I said, "I would rather vote for Hillary Clinton in jail." If she gets convicted, I'll vote for her for president.

I'm not a big fan of the post-Armageddon stories, where Denzel Washington is walking around in a torn coat.

When I die, if the word 'thong' appears in the first or second sentence of my obituary, I've screwed up.

A lot of alliteration from anxious anchors placed in powerful posts!

I'm not a person who I ever thought would do well with divorce. Not that it can't happen. I just didn't want that. So I waited a long time to meet the right person. Then I finally met someone that I was willing to be divorced from.

The world really changed after 9/11, not just in the tragic way, but in every way. So it took me a couple of years to even understand how my art form I could process any of this. When the world changed, eliciting laughter with subjects that were funny to me before 9/11 just didnt seem good enough.

I don't experience basic human emotions. It's not my thing.

If you're going to act and do this for a living, you want to play something that the audience didn't expect.

I, sort of, got into comedy accidentally, and it got bigger than I wanted it to.

Relaxation is the absence of worry.

All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.

I'm a member of the Academy, but I don't know who all the other Academy members are. It's not like a politician who knows who is in the Iowa caucus.

I don't think the goal is, 'How big a star did you ever become?' I think the goal is, 'Were you able to express yourself?'

If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.

Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.

In the beginning of any career, in every job, people are always forcing you to the middle.

If anything happens to me, tell every woman I've ever gone with I was talking about her at the end. That way, they'll have to reevaluate me.

Wouldn't this be a great world if insecurity and desperation made us more attractive?

Starting to drink now in preparation for New Years. No more last minute stuff like Christmas.

You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.

Getting older is a lot of fun. Right up there with chewing glass or putting your hand in a blender.

I've always enjoyed stories that take place in the future but my one disappointment was that the future books described never came. We're not on other planets, there are no flying cars, and the only robots we have in our homes just sweep the floor. So I wanted to write about a future that I thought could really happen. People ask me when I tell them the title of the book, 'Are we all dead?' The good news is, no. We're still here. And I even think the future in my book is strangely hopeful, although I'm sure there will be people who strongly disagree.

I'd still like to see 'Survivor' minus the planned show-biz parts. That would be the purest form of show business - I want to see someone so hungry that they eat somebody else's foot.

The biggest waste of brainpower is to want to change something that's not changeable.

Regrets are stupid; they don't mean anything and they don't add up to anything.

I can't not put humor in a book.

Most entertainment is trying to get you. It's tested, like toothpaste.

Twitter is the Devil's playground.

I've always liked to think ahead. Not stupid-far ahead. A hundred years doesn't interest me. But 20 years interests me, and more for what happens to humans as opposed to things.

Excited about Black Friday. Also excited about Jew Tuesday.

If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.

Be generous and you can be the best person who ever lived.