Aaron zigman

You cannot do what I do for a living without having a thick skin.

Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.

When I create I don't think in technical or mathematical terms until the idea is formulated Musical composition is formulated in improvisation. Once a pianist like myself sits down and begins to play and start thinking about what I am writing all of a sudden a little tune will emerge, a little spot light and I'll go, "That's interesting."

I have a huge record and cd collection of all kinds of great classical, jazz and all music but I find the internet very accessible and quick.

Sometimes I just listen to classical pieces of music to take me away from my work. That's what I kind of do to wash away the notes that I've been working on all day. As human beings we need to sleep so that's kind of one of my little tricks.

Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules.

I was an accomplished junior tennis player up to around fourteen years old. At fourteen or fifteen I made the decision to venture off to make my life 100% music.

There is competition. It's almost like I'm back in tennis competing in a way. There are usually about twenty composers vying for the number one spot for a big or medium film.

You try and nurture the relationship. This day and age we have to do a little more networking than we used to do. All that does is make sure you befriend the people you are working with on a project so you hopefully carry it over to the next one.

When you play competitive tennis you are competing against someone else and you have to win. Playing music I didn't have to win I had to become better within myself.

Sometimes it's very hard to turn off my brain especially when I have an eighteen hour day. I try to stop working by 10 or 11pm but you know sometimes there is nothing I can do about it.

The thing I learned from playing tennis is that I know what competition is. I can handle rejection.

When I lost a tennis match that made me upset or hurt emotionally I would find myself going to the piano and playing for hours. It was my place of refuge and solace.

Author details

Aaron Zigman: Biography and Life Work

Aaron Zigman was a notable Composer. The story of Aaron Zigman began on January 6, 1963 in San Diego, California.

Aaron Zigman (born January 6, 1963) is a classically trained American composer, producer, arranger, songwriter, and musician who has scored music for films including The Notebook , The Company Men , Bridge to Terabithia , John Q. , The Proposal , Flicka , For Colored Girls , Flash of Genius , Sex & the City , Alpha Dog , and Escape from Planet Earth . He has also written, arranged and produced over 50 hit albums, and co-written songs with legendary and contemporary artists including Quincy Jones , Christina Aguilera , Phil Collins , Was (Not Was) , John Legend , Dionne Warwick , Ray Charles , Natalie Cole , Aretha Franklin , Tina Turner , and Seal .

Legacy and Personal Influence

Historically, their work is best remembered for Award-winning film composer and musician.

Philosophical Views and Reflections

In March 2020, Billie Eilish revealed 32 songs which inspired her Grammy-winning album When We All Fall Asleep Where Do We Go? "Jesse's Bridge," a song composed by Zigman from his soundtrack for the Disney movie Bridge to Terabithia , was listed as one of the inspirations for Eilish's ILOMILO .

Zigman collaborated with Yu Long once more on the oratorio Émigré . Émigré premiered in Shanghai on November 17, 2023, and had its US premiere on February 29, 2024. A recording was made by Deutsche Grammophon and released on February 2.

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Empery Quotes
Inspire · Reflect · Repeat